25 Films produced by Masaichi Nagata

An Actor's Revenge , also known as Revenge of a Kabuki Actor, is a 1963 film directed by Kon Ichikawa. It was produced in Eastmancolor and Daieiscope for Daiei Film.

The Crucified Lovers is a 1954 Japanese film directed by Kenji Mizoguchi. It was adapted from Monzaemon Chikamatsu's 1715 bunraku play Daikyōji mukashi goyomi. The film was presented at the 1955 Cannes Film Festival,

Daimajin is a 1966 Japanese kaiju film directed by Kimiyoshi Yasuda. Produced and distributed by Daiei Film, it is the first film in the Daimajin trilogy. The plot centers around a wrathful spirit sealed inside an ancient statue, which comes to life to help the surviving children of the slain lord of Tanba Province.

Fires on the Plain is a 1959 Japanese war film directed by Kon Ichikawa, starring Eiji Funakoshi. The screenplay, written by Natto Wada, is based on the novel Nobi by Shōhei Ōoka, translated as Fires on the Plain. It initially received mixed reviews from both Japanese and international critics concerning its violence and bleak theme. In following decades, however, it has become highly regarded.

Floating Weeds is a 1959 Japanese drama directed by Yasujirō Ozu, starring Nakamura Ganjirō II and Machiko Kyō. It is a remake of Ozu's own black-and-white silent film A Story of Floating Weeds (1934) and considered one of the greatest films ever made.

Gamera vs. Barugon is a 1966 Japanese kaiju film directed by Shigeo Tanaka, with special effects by Noriaki Yuasa and Kazufumi Fujii. Produced by Daiei Film, it is the second entry in the Gamera film series, and stars Kōjirō Hongō, Kyōko Enami, and Yūzō Hayakawa, with Teruo Aragaki as Gamera. In the film, Gamera returns to Earth to battle a reptilian monster born out of an opal brought to Japan by greedy entrepreneurs.

Gamera vs. Guiron is a 1969 Japanese kaiju film directed by Noriaki Yuasa, written by Niisan Takahashi, and produced by Daiei Film. It is the fifth entry in the Gamera film series, following Gamera vs. Viras, which was released the previous year. Gamera vs. Guiron stars Nobuhiro Kajima, Miyuki Akiyama, Christopher Murphy, Yuko Hamada, and Eiji Funakoshi. The film was released theatrically in Japan on March 21, 1969. It did not receive a theatrical release in the United States, but was released directly to American television that year by American International Television under the title Attack of the Monsters. The film was followed by Gamera vs. Jiger the following year.

Gamera: Super Monster is a 1980 Japanese kaiju film directed by Noriaki Yuasa and produced by Daiei Film. It is the eighth film in the Gamera film series, following the release of Gamera vs. Zigra in 1971.

Gate of Hell is a 1953 Japanese jidaigeki film directed by Teinosuke Kinugasa. It tells the story of a samurai who tries to marry a woman he rescues, only to discover that she is already married. Filmed using Eastmancolor, Gate of Hell was Daiei Film's first color film and the first Japanese color film to be released outside Japan.

Her Brother is a 1960 Japanese drama film directed by Kon Ichikawa. The film is based on the novel Otōto by Aya Koda. It was entered into the 1961 Cannes Film Festival, where it won a prize for Special Distinction.

The Loyal 47 Ronin is a 1958 color jidaigeki Japanese film directed by Kunio Watanabe. With box office earnings of ¥410 million, it was the most successful film of 1958 in Japan. Furthermore, it was the second-highest-grossing film of the 1950s in Japan.

Miss Oyu is a 1951 black-and-white Japanese drama film directed by Kenji Mizoguchi. It is based on the 1932 novella The Reed Cutter (Ashikari) by Jun'ichirō Tanizaki.

Osaka Elegy is a 1936 Japanese film directed by Kenji Mizoguchi. Mizoguchi considered the film his first serious effort as a director, and it was also his first commercial and critical success in Japan. Osaka Elegy is often considered a companion piece to Mizoguchi's next film, Sisters of the Gion, which was released the same year and featured much the same cast and crew.

The Phantom Horse is a 1955 color (Eastmancolor) Japanese drama film directed by Koji Shima. It was entered into the 1956 Cannes Film Festival.

Princess Yang Kwei Fei is a 1955 Japanese film directed by Kenji Mizoguchi. It was a co-production between Daiei Film and Hong Kong's Shaw & Sons, a predecessor of Shaw Brothers Studio. It is one of Mizoguchi's two color films, the other being Tales of the Taira Clan, made the same year.

Rashomon is a 1950 Jidaigeki psychological thriller/crime film directed by Akira Kurosawa, working in close collaboration with cinematographer Kazuo Miyagawa. Starring Toshiro Mifune, Machiko Kyō, Masayuki Mori, and Takashi Shimura as various people who describe how a samurai was murdered in a forest, the plot and characters are based upon Ryunosuke Akutagawa’s short story "In a Grove", with the title and framing story being based on "Rashōmon", another short story by Akutagawa. Every element is largely identical, from the murdered samurai speaking through a Shinto psychic to the bandit in the forest, the monk, the rape of the wife, and the dishonest retelling of the events in which everyone shows his or her ideal self by lying.

Sansho the Bailiff is a 1954 Japanese period film directed by Kenji Mizoguchi. Based on a 1915 short story of the same name by Mori Ōgai, which in turn was based on a folktale, it follows two aristocratic children who are sold into slavery.

Shin Heike Monogatari is a 1955 Japanese film directed by Kenji Mizoguchi. It is based on a prose version by Eiji Yoshikawa of a Japanese epic poem, The Tale of the Heike. It is Mizoguchi's second and last film in color, the other being Princess Yang Kwei Fei (Yōkihi) of the same year.

Shiroi Kyotō is a 1965 novel by Toyoko Yamasaki. It has been adapted into a film in 1966 and then five times as a television series in 1967, 1978, 1990, 2003, and 2019. The 1966 film was entered into the 5th Moscow International Film Festival where it won a Silver Prize.

Sisters of the Gion or Sisters of Gion is a 1936 black and white Japanese drama film directed by Kenji Mizoguchi about two geisha sisters living in Kyoto's Gion district. It forms a diptych with Mizoguchi's Osaka Elegy which shares much of the same cast and production team.

Street of Shame is a 1956 black-and-white Japanese film directed by Kenji Mizoguchi. It is the personal tales of several Japanese women of different backgrounds who work together in a brothel. It was Mizoguchi's last film.

The Tale of Genji is a 1951 Japanese drama film directed by Kōzaburō Yoshimura. It is based on the early 11th century piece of Japanese literature of the same name. It was entered into the 1952 Cannes Film Festival.

Ugetsu, also known as Tales of Ugetsu, The Tales of the Wave after the Rain Moon and Ugetsu Monogatari (雨月物語), is a 1953 Japanese romantic fantasy drama directed by Kenji Mizoguchi and based on stories in Ueda Akinari's 1776 book of the same name. It is a ghost story and an example of the jidaigeki genre, starring Masayuki Mori and Machiko Kyō.

Warning from Space is a Japanese tokusatsu science fiction film released in January 1956 by Daiei, and was the first Japanese science fiction film to be produced in color. In the film's plot, starfish-like aliens disguised as humans travel to Earth to warn of the imminent collision of a rogue planet and Earth. As the planet rapidly accelerates toward Earth, a nuclear device is created at the last minute and destroys the approaching world.

Zangiku monogatari (残菊物語) is a 1956 black-and-white Japanese film directed by Koji Shima.