24 Songs about BDSM

"Bitte bitte" ["Please please"] is a song by German band Die Ärzte. It's the eleventh track and the third single from their 1988 album Das ist nicht die ganze Wahrheit.... It's about wanting to obey to a dominatrix.

"Blindfold Me" is a hip hop song by American singer Kelis from her fourth studio album, Kelis Was Here (2006). It was written and produced by Sean Garrett and Polow da Don. A remix, featuring American rapper Nas, was released as the album's second single in September 2006. Although the Neptunes were long-time collaborators of Kelis, Kelis Was Here was her first album without their involvement as she opted for a more diverse team of record producers, which included Garrett and Polow da Don.

"Bobby Brown " is a song by Frank Zappa released on his album Sheik Yerbouti in 1979. One of his best known songs, it was hugely successful in Europe. It was a number-one-hit in Norway and Sweden and placed at number 4 in the German charts, where it sold more than 250,000 units. This song was more successful in Europe than America and this is why it is only featured on the vinyl and European CD version of Zappa's best of compilation, Strictly Commercial.

"Bye Bye Baby" is a song recorded by American singer and songwriter Madonna, for her fifth studio album Erotica (1992). It was released on November 15, 1993, as the sixth and final single from the album only outside the US. "Bye Bye Baby" was written by Madonna, Shep Pettibone, and Anthony Shimkin and was produced by Madonna and Pettibone. The song is inspired by Madonna's emotions of that time and her S&M thoughts. Musically, it is a hip hop song, sampling a hook from LL Cool J's track "Jingling Baby", released in 1990. Madonna's vocals were filtered to make them appear as sound coming out from an antique radio. "Bye Bye Baby" features instrumentation from keyboard and lyrically finds Madonna asking questions to a lover she is about to abandon.

"Chains" is a song by American singer Nick Jonas, taken from his eponymous second album. It was released on July 30, 2014 by Island and Republic Records as the lead single from the album. The song was written and produced by Jason Evigan, with additional songwriting provided by Ammar Malik, and Danny Parker. It is an R&B song, using kick drum-driven beats, a splash of bass-dropping trap at the intro and bridge as the song's instrumentation. Lyrically, the song talks about feeling trapped in a binding and hopeless love.

"E-Girls Are Ruining My Life!" is a song by YouTuber Corpse Husband, also known as Corpse. Released as a single on September 30, 2020, It also features vocals from American rapper Savage Ga$p.

"Erotica" is a song by American singer and songwriter Madonna. It is the title track from her fifth studio album, Erotica (1992), and was released as the album's lead single on September 29, 1992 by Maverick Records. It was later included on her greatest hits albums GHV2 (2001) and Celebration (2009). The song was written by Madonna, Shep Pettibone and Anthony Shimkin, while production was handled by the singer and Pettibone. Musically, "Erotica" contains spoken word vocals, and is an ode to S&M, with Madonna using a pseudonym called "Dita". She invites her lover to be passive while making love to her and leads him to explore boundaries between pain and pleasure.

Escapexstacy is the debut album of Finnish gothic metal band Poisonblack. It was released on February 17, 2003 in Germany, February 25, 2003 in the United States and Canada, and March 8, 2003 in Japan. Amy Sciarretto gave a favourable review in CMJ New Music Monthly, writing that "Escapexstacy boasts gorgeous and progressive Euro-rock, which never gets too heavy..."

"Freak on a Leash" is a song by the American nu metal band Korn, featured on the group's 1998 studio album, Follow the Leader. Prior to the album's release, Korn had an instrumental section of the song, described as a "noisy guitar break." The section was taken out of the song after they learned that radio stations disliked it. After Follow the Leader's release, the song was released as a single on February 25, 1999, and since then, it has been re-released over ten times. The song uses dissonance, distortion, various guitar effects, and a heavy, aggressive style.

"Freeek!" is a single written and performed by English singer George Michael, and a remastered version called "Freeek! '04" was later featured on his fifth and final studio album, Patience (2004). The song contains samples from "Try Again" by Aaliyah, "Breathe and Stop" by Q-Tip, and "N.T." by Kool & the Gang.

"Hanky Panky" is a song by American recording artist Madonna from her soundtrack album I'm Breathless. It was released on June 12, 1990, by Sire Records as the album's second and final single. Written and produced by Madonna and Patrick Leonard, the song was developed from a line in the parent film, Dick Tracy, talking about a woman who enjoys being spanked by her partner. Performed in an almost comical style, "Hanky Panky" is a jazz and swing song with a changing bassline and minor to major key-shift in the chorus. It caused some controversy in Ireland because of its innuendo and racy lyrics, with women's groups deeming them as harmful; Madonna later clarified that the lyrics were intended as a joke.

"Happiness in Slavery" is a song by American industrial rock band Nine Inch Nails from their debut extended play, Broken (1992). It was released in November 1992 as a promotional single from the EP. The song takes its title and refrain from Jean Paulhan's preface to Pauline Réage's 1954 erotic novel Story of O. "Happiness in Slavery" peaked at number 13 on the US Billboard Modern Rock Tracks chart.

"L'Histoire d'une fée, c'est..." is a 2001 song recorded by French singer-songwriter Mylène Farmer. It was one of the singles from the soundtrack album for the film Rugrats in Paris: The Movie. With its lyrics written by Farmer and the song being composed and produced by her long-time songwriting collaborator Laurent Boutonnat, "L'Histoire d'une fée, c'est..." was released on 27 February 2001. The song describes the fairy Mélusine with "childish" lyrics that contrast with double entendres and puns referring to sexual practices. Although the single had no music video nor airplay promotion, it received generally positive reviews from critics and reached top-ten charts in France and Belgium.

"Hurts So Good" is a song by American singer-songwriter John Mellencamp, then performing under the stage name "John Cougar". The song was a number two hit on the Billboard Hot 100 for the singer/songwriter. It was the first of three major hit singles from his 1982 album American Fool. The others were "Jack & Diane" and "Hand to Hold On To," which were all released in 1982. The song was also a critical success with Mellencamp winning the Best Rock Vocal Performance, Male at the 25th Grammy Awards on February 23, 1983.

"Ich tu dir weh" is a song by German Neue Deutsche Härte band Rammstein. It was released as the second single from their sixth studio album, Liebe ist für alle da (2009), on 5 February 2010. A music video for the song was previously released online on 21 December 2009.

"Love Me Harder" is a song by American singer Ariana Grande and Canadian singer The Weeknd from Grande's second studio album, My Everything (2014). It was written by Max Martin, Savan Kotecha, Peter Svensson, Ali Payami, Abel Tesfaye and Ahmad Balshe. The song was produced by Payami and Peter Carlsson, with Svensson serving as a vocal producer. It was released by Republic Records on September 30, 2014, as the fourth single from the album. "Love Me Harder" is a pop, synth-pop, R&B ballad with a "throbbing, electro-heavy chorus", a guitar riff and "big vacuum-esque synths". Lyrically, the song features double entendres about rough sex.

"Master and Servant" is Depeche Mode's eleventh UK single, released in 1984 and the second single from the Some Great Reward album. Its subject matter is BDSM relationships, which caused some controversy. It reached number 9 in the UK Singles Chart, number 49 in the American dance chart and number 87 on the Billboard Hot 100.

"Memo from Turner" is a solo single by Mick Jagger, featuring slide guitar by Ry Cooder, from the soundtrack of Performance, in which Jagger played the leading role of Turner, a reclusive rock star. It was re-released in October 2007 on a 17-song retrospective compilation album The Very Best of Mick Jagger, making a re-appearance as a Jagger solo effort. After its original release in 1970, it was included on Rolling Stones compilations, such as Singles Collection: The London Years as a track credited to the Jagger/Richards songwriting partnership. "Memo from Turner" was ranked #92 in the 100 Greatest Guitar Songs list of Rolling Stone.

"Mirrors" is a song by the English recording artist Natalia Kills from her debut studio album, Perfectionist (2011). It was released by Cherrytree Records on 10 August 2010 as the lead single from the album. The track was written and produced by Akon, Giorgio Tuinfort and Martin "Cherry Cherry Boom Boom" Kierszenbaum, with additional writing from Kills. Described as a "disco pop" song, "Mirrors" contains references to various themes including sexual sadomasochism and arrogance.

"Poison" is a song by American musician Alice Cooper. Written by Cooper, producer Desmond Child and guitarist John McCurry, the song was released as a single in July 1989 from Cooper's eighteenth album, Trash. It became one of Cooper's biggest hit singles in the United States, peaking at number seven on the Billboard Hot 100. The power ballad performed even better in the UK by peaking at number two on the UK Singles Chart. "Poison" remains one of Alice Cooper's best known songs. It is ranked by Billboard as the "91st top song of 1989", while Ultimate Classic Rock ranked it as the "7th best Alice Cooper song", commenting "Poison sounds like a typical '80s pop-metal number at times, but Cooper’s intensity brings it to a whole other level." The song's main riff was written by guitarist John McCurry, who two years earlier had used it for the John Waite track "Encircled".

"S&M" is a song by Barbadian singer Rihanna from her fifth studio album, Loud (2010). The song was released on January 21, 2011, as the fourth single from the album. American songwriter Ester Dean wrote "S&M" in collaboration with the producers Stargate and Sandy Vee. Backed by bass beats, a keyboard and guitars, it is an uptempo dance-pop, Hi-NRG and Eurodance track with lyrics about sexual intercourse, sadomasochism, bondage, and fetishes.

"Strict Machine" is an electronic dance song written by British electronic music duo Goldfrapp and Nick Batt for Goldfrapp's second studio album, Black Cherry (2003). It was produced by Goldfrapp and describes laboratory rats in neuroscience experiments. Alison Goldfrapp read in a newspaper about experiments in which scientists stimulated rats' brains so that the rats would feel joy when following commands. She was inspired to write "Strict Machine" based on images of the experiment and "more human aspects of machines and sex and control". Actress Gwendoline Christie features on the record sleeve disguised in a rabbit mask.

"Taken by a Stranger" is a song recorded by German singer Lena for her second studio album Good News (2011), released as a CD single on 22 February 2011 by We Love Music. Gus Seyffert, Nicole Morier and Monica Birkenes wrote the song, while production was handled by Stefan Raab and Reinhard Schaub. Seyffert had originally penned the track for Birkenes to record, but her label rejected it and it was eventually given to Lena. Musically, "Taken by a Stranger" is a 1980s and grufti-influenced electropop song characterized by synthesizer sounds. Lyrically, it revolves around the connection between two strangers. While compared to the works of English band The Cure by one reviewer, other speculated lyrical themes were sadomasochism, psychosexual development, kidnapping and sexual fantasy.

"Want You Bad" is a song by American punk rock band the Offspring. The song is featured as the fourth track on the band's sixth studio album, Conspiracy of One (2000), and was released as its second single. The song is also featured on the band's Greatest Hits album (2005). It became another Offspring US Hot Modern Rock Track top 10.