
Diane Arbus was an American photographer. Arbus worked to normalize marginalized groups and highlight the importance of proper representation of all people. She worked with a wide range of subjects including; strippers, carnival performers, nudists, dwarves, children, mothers, couples, elderly people, and middle-class families. She photographed her subjects in familiar settings: their homes, on the street, in the workplace, in the park. "She is noted for expanding notions of acceptable subject matter and violates canons of the appropriate distance between photographer and subject. By befriending, not objectifying her subjects, she was able to capture in her work a rare psychological intensity." In his 2003 New York Times Magazine article, "Arbus Reconsidered," Arthur Lubow states, "She was fascinated by people who were visibly creating their own identities—cross-dressers, nudists, sideshow performers, tattooed men, the nouveaux riches, the movie-star fans—and by those who were trapped in a uniform that no longer provided any security or comfort." Michael Kimmelman writes in his review of the exhibition Diane Arbus Revelations, that her work "transformed the art of photography ".

Diane Arbus was an American photographer. Arbus worked to normalize marginalized groups and highlight the importance of proper representation of all people. She worked with a wide range of subjects including; strippers, carnival performers, nudists, dwarves, children, mothers, couples, elderly people, and middle-class families. She photographed her subjects in familiar settings: their homes, on the street, in the workplace, in the park. "She is noted for expanding notions of acceptable subject matter and violates canons of the appropriate distance between photographer and subject. By befriending, not objectifying her subjects, she was able to capture in her work a rare psychological intensity." In his 2003 New York Times Magazine article, "Arbus Reconsidered," Arthur Lubow states, "She was fascinated by people who were visibly creating their own identities—cross-dressers, nudists, sideshow performers, tattooed men, the nouveaux riches, the movie-star fans—and by those who were trapped in a uniform that no longer provided any security or comfort." Michael Kimmelman writes in his review of the exhibition Diane Arbus Revelations, that her work "transformed the art of photography ".

Canada's Golgotha is a 32-inch-high (810 mm) bronze sculpture by the British sculptor Francis Derwent Wood, produced in 1918. It illustrates the story of the Crucified Soldier from the First World War and depicts a Canadian soldier crucified on a barn door and surrounded by jeering Germans. It is now on show at the Canadian War Museum.

Michael Dickinson was an English artist, writer and playwright, who was best known for his satirical political collages. He was a member of the Stuckist international art movement. In 2008, Dickinson was arrested and prosecuted in Istanbul for a collage featuring the then Turkish prime minister Erdoğan, but was later acquitted.

Filippa Palmstierna Hamilton, also known as Filippa Hamilton-Palmstierna,, is a Swedish-French model.

Samuel Alexander Armas is the child shown in a famous photograph by Michael Clancy, dubbed the Hand of Hope, of his hand extending from an opening in his mother's uterus and touching his surgeon's finger during open fetal surgery for spina bifida.

Between 2011 and 2018, a series of disputes took place about the copyright status of selfies taken by Celebes crested macaques using equipment belonging to the British nature photographer David Slater. The disputes involve Wikimedia Commons and the blog Techdirt, which have hosted the images following their publication in newspapers in July 2011 over Slater's objections that he holds the copyright, and People for the Ethical Treatment of Animals (PETA), who have argued that the macaque should be assigned the copyright.

Photograph manipulation involves the transformation or alteration of a photograph using various methods and techniques to achieve desired results. Some photograph manipulations are considered to be skilful artwork, while others are considered to be unethical practices, especially when used to deceive the public. Other examples include being used for political propaganda, or to improve the appearance a product or person, or simply as entertainment or practical jokes.

Transilvanian Hunger is the fourth studio album by Norwegian black metal band Darkthrone. It was released 17 February 1994 by Peaceville Records.

John Trobaugh in Lansing, Michigan is an American artist specializing in photography and based in Birmingham, Alabama. Trobaugh received his BFA in 1996 with honors from University of Alabama at Birmingham and went on to study photography at the School of Visual Arts. In 2003 he received his Master of Fine Arts from the University of Alabama in Tuscaloosa, Alabama.