W"2 Minutes to Midnight" is a song by the British heavy metal band Iron Maiden, featured on their fifth studio album, Powerslave (1984). It was released as the band's tenth single, and first from the album on 6 August 1984. It rose to number 11 on the UK Singles Chart and number 25 on Billboard Top Album Tracks. The band's first single to exceed five minutes in length, it remained their longest until the release of "Infinite Dreams" in November 1989.
W"99 Luftballons" is a song by the German NDW band Nena from their 1983 self-titled album. An English-language version titled "99 Red Balloons", with lyrics by Kevin McAlea, was also released on the album 99 Luftballons in 1984 after widespread success of the original in Europe and Japan. The English version is not a direct translation of the German original and contains lyrics with a somewhat different meaning. In the US, the English-language version did not chart, while the German-language recording became Nena's only US hit.
W"1999" is a song by American musician Prince, the title track from his 1982 album of the same name. In 1983, the song peaked at number 2 in Australia. It originally peaked at number 44 on the Billboard Hot 100 in December 1982 but with its re-release, it peaked at number 12 in the US in July 1983, and at number 25 in the UK in January 1983.
W"Arise" is Sepultura's first official single, as well as the first of three to be released from the album of the same name.
W"Atomic" is a song by American rock band Blondie from their fourth studio album, Eat to the Beat (1979). Written by Debbie Harry and Jimmy Destri and produced by Mike Chapman, the song was released as the album's third single.
W"Breathing" is a single by Kate Bush, the first cut from her 1980 album Never for Ever, with backing vocals by Roy Harper.
W"Capital G" is a song by American industrial rock band Nine Inch Nails from their fifth studio album, Year Zero (2007). It was released on June 11, 2007 as a limited-edition nine-inch vinyl in the United Kingdom, serving as the album's second and final single.
W"Christmas at Ground Zero" is an original song by "Weird Al" Yankovic, the tenth and final track on his 1986 album, Polka Party! and the final single from the album, released just in time for the 1986 Christmas season. The song is a style parody of Phil Spector-produced Christmas songs.
WDeceit is the second and final studio album by English experimental rock band This Heat, released in 1981 by Rough Trade Records. As with their self-titled debut album, the tracks on Deceit were assembled from largely improvised recordings that the band accumulated since their inception in 1976, with varying degrees of audio quality. However, it is generally considered to be more song-oriented than its largely abstract predecessor. The title is in part a pun on the band's name.
W"Do the Evolution" is a song by the American rock band Pearl Jam. Featuring lyrics written by vocalist Eddie Vedder and music written by guitarist Stone Gossard, "Do the Evolution" is the seventh track on the band's fifth studio album, Yield (1998). Despite the lack of a commercial single release, the song managed to reach number 33 on the Billboard Alternative Songs chart. The song was included on Pearl Jam's 2004 greatest hits album, rearviewmirror .
W"Enola Gay" is an anti-war song by the British synth-pop group Orchestral Manoeuvres in the Dark (OMD) and the only single from the band's 1980 album Organisation. The track addresses the atomic bombing of Hiroshima by the aircraft Enola Gay on 6 August 1945, toward the conclusion of World War II. It was written by vocalist/bass guitarist Andy McCluskey.
W"Eve of Destruction" is a protest song written by P. F. Sloan in mid-1964. Several artists have recorded it, but the best-known recording was by Barry McGuire.
W"Everyday Is Like Sunday" is the third track of Morrissey's debut solo album, Viva Hate, and the second single to be released by the artist. While the lyric was written by Morrissey, the song's composer was Stephen Street. It made number nine in the UK Singles Chart and remains one of his best-known songs. "Everyday Is Like Sunday", as well as the single's B-sides "Disappointed" and "Will Never Marry", feature on the compilation album Bona Drag.
W"Famous Last Words" is a song by the British group Tears for Fears, originally released on their 1989 album The Seeds of Love. It was released as the fourth and final single from the album in 1990 and peaked at #83 in the UK.
W"Forever Young" is a song from German synthpop recording act Alphaville's 1984 debut album of the same name. The single was a strong hit in Scandinavia and in the European German-speaking countries in the same year.
W"Four Minute Warning" is the first single released from Take That band member Mark Owen's second solo studio album, In Your Own Time. The single was released on 4 August 2003 as his first single on Island Records, after he was dropped from RCA in September 1997. The single peaked at number four on the UK Singles Chart, making it his third UK top-ten single. It has sold over 80,000 copies in the United Kingdom. The song also reached number 37 in Ireland and number 52 in the Netherlands.
W"The Future's So Bright, I Gotta Wear Shades" is a song by Timbuk 3. It is the opening track from their debut album, Greetings from Timbuk3. Released as the album's first single in 1986, it was the band's only significant mainstream hit.
W"The Globalist" is a song by English rock band Muse, and the eleventh track from the band's seventh studio album, Drones. An apocalyptic song, it serves as a sequel to the song "Citizen Erased" from their 2001 album Origin of Symmetry. Part of this song contains music based on "Nimrod" from Enigma Variations, composed by Edward Elgar. The song follows "Aftermath", which centers on the album's protagonist discovering love. Matt Bellamy has said that the album's negative stories, "The Globalist" and "Drones", serve as epilogue. At ten minutes and seven seconds, it is the second longest song in Muse's discography, after "Exogenesis: Symphony".
W"Hammer to Fall" is a 1984 song by the British rock band Queen. Written by guitarist Brian May, the song is the eighth track on their 1984 album The Works. It was the fourth and final single to be released from that album, although the single version was edited down by thirty seconds in contrast to the version on the album. Different sleeves were used to package this single and the live picture sleeve is now a collector's item. The song harks back to the Queen of old, with a song being built around a hard angular and muscular riff.
W"I Melt with You" is a song by the British new wave band Modern English. The song, produced by Hugh Jones, was the second single from their 1982 album After the Snow. It became the band's most successful single, largely in the United States, where it was featured in the film Valley Girl and on MTV. It reached number seven on Billboard's Mainstream Rock chart in 1983 and a re-release reached number 76 on its Hot 100 chart in 1990.
W"I Won't Let the Sun Go Down on Me" is a song written and performed by the English singer-songwriter Nik Kershaw. It was his first single, released in 1983 to little success, but was re-released in 1984 and became his highest charting hit in the UK, peaking at no. 2 there. The song was included on Kershaw's debut album Human Racing.
W"It's a Mistake" is a song by the Australian band Men at Work. The song was written by the lead singer and guitarist Colin Hay and the recording was produced by Peter McIan. It was released in June 1983, as the third single from their album Cargo and peaked at #34 in Australia. In the US, it entered the charts at #42 on July 2, 1983, and peaked at #6 on the Billboard Hot 100 in August 1983. It was performed live on Saturday Night Live on October 22, 1983.
W"It's Good News Week" is a song and single by the British band Hedgehoppers Anonymous. Written and produced by Jonathan King, it was first released in 1965.
W"Kill the Poor" is a song by the Dead Kennedys, released in October 1980 on Cherry Red Records as the band's third single, with "In-sight" as its B-side. The title track was re-recorded for the band's first album, Fresh Fruit for Rotting Vegetables (1980), although the single and album versions show little difference in comparison. The B-side of this single is also additionally on the compilation album Give Me Convenience or Give Me Death (1987). A special "disco version" was played and recorded on March 3, 1979 and released on their live album Live at the Deaf Club
W"Land of Confusion" is a song by the English rock band Genesis from their 1986 album Invisible Touch. The song was the third track on the album and was the third track released as a single, reaching No. 4 in the U.S. and No. 14 in the UK in late 1986. It also reached No. 8 in the Netherlands. The music was written by the band, while the lyrics were written by guitarist Mike Rutherford. The song's video featured puppets from the 1980s UK sketch show Spitting Image.
W"Megalomaniac" is a song by the American rock band Incubus, from their 2004 album A Crow Left of the Murder... It was released as a single in December 2003, and eventually reached the top of Billboard's Modern Rock Tracks, where it stayed for a six-week period. Outside the United States, the song reached the top 30 in Italy, New Zealand, and the United Kingdom.
W"Not Now John" is a song by the progressive rock band Pink Floyd, written by Roger Waters. It appears on the album The Final Cut. The track is the only one on the album featuring the lead vocals of David Gilmour, found in the verses, with Roger Waters singing the refrains and interludes, and was the only single released from the album. It reached No. 30 in the UK Singles Chart.
W"Party at Ground Zero" is a song by the ska band Fishbone. A demo version titled "Pink Vapor Stew" can be found on the Fishbone 101 compilation. To this day it remains one of their most popular songs. Fishbone performed the song in the movie The Tripper and was featured in the 1994 movie Camp Nowhere.
W"Put Down That Weapon" is a song by Australian rock bands Midnight Oil. The song was released in December 1987 as the third single from their sixth studio album, Diesel and Dust.
W"Russians" is a song by Sting, from his debut solo album, The Dream of the Blue Turtles, released in June 1985, and released as a single in November. The song is a commentary and plea that criticises the then-dominant Cold War foreign policy and doctrine of mutual assured destruction (MAD) by the United States and the then existing Soviet Union.
W"Save the World" is a song by English musician George Harrison, released as the final track of his 1981 album Somewhere in England. It was also the B-side of "Teardrops", which was the second single off the album. An environmental protest song, "Save the World" was Harrison's first composition to directly address topical issues such as the nuclear arms race, rainforest and wildlife devastation, and the ecologically irresponsible practices of corporate concerns. Musically, the song partly recalls the style of the comedy troupe Monty Python.
W"Seven Minutes to Midnight" was the second and final single released by Pete Wylie's Wah! Heat incarnation. The band had made major line-up changes and bass guitar player Pete Younger was replaced by Colm Redmond, then Carl Washington who became Wylie's right hand. The recording included keyboard player King Bluff for the first time. It was during this incarnation that they recorded their only Peel Session on 19 May 1980. The release of the single also marked the departure of Colm Redmond and the transformation of Wylie's first outfit into the better known four piece Wah!.
W"The Tide Is Turning ", known better by its shortened commercial title, "The Tide Is Turning" is the closing track from Roger Waters' second studio album, Radio K.A.O.S. It was released as the album's third single, in November 1987. A live version of the song was released as the second single from Waters' debut live album, The Wall – Live in Berlin in November 1990.
W"Too Young to Die" is the second single taken from British funk/acid jazz band Jamiroquai's debut studio album, Emergency on Planet Earth. The original version of the track runs at 10:18, however, both the single and album versions were cut, running at 3:22 and 6:05 respectively. The single peaked at number 10 on the UK Singles Chart and reached the top 50 in France, Iceland, the Netherlands, Sweden and Switzerland.
W"Two Tribes" is an anti-war song by British band Frankie Goes to Hollywood, released in the UK by ZTT Records on 4 June 1984. The song was later included on the album Welcome to the Pleasuredome. Presenting a nihilistic, gleeful lyric expressing enthusiasm for nuclear war, it juxtaposes a relentless pounding bass line and guitar riff inspired by American funk and R&B pop with influences of Russian classical music, in an opulent arrangement produced by Trevor Horn.
W"Vamos a la playa" is a song recorded by Italian duo Righeira in 1983. The song, whose lyrics are in Spanish, was composed by Stefano Righi together with Carmelo la Bionda. The track was a big hit all over Europe in the summer of 1983. It reached number 53 in the UK Singles Chart. Despite its ostensibly innocuous beach theme, the song actually talks about the explosion of an atomic bomb.
WAn Evening Wasted with Tom Lehrer is an album recorded by Tom Lehrer, the well-known satirist and Harvard lecturer. The recording was made on March 20–21, 1959 in Sanders Theater at Harvard.
W"We Will Become Silhouettes" is a single by US indie band The Postal Service, released February 8, 2005, under the Sub Pop Records label. The single included a new track "Be Still My Heart" and two remixed tracks by Matthew Dear and Styrofoam. The title track has been used in a Honda Civic commercial. Indie band The Shins recorded an acoustic cover of the title track, which was included as a B-side on The Postal Service's "Such Great Heights".
W"When the Wind Blows" is a song from the soundtrack of the film of the same name, performed by David Bowie.