
The Tarot of Marseilles or Tarot of Marseille, also widely known by the French designation Tarot de Marseille, is one of the standard patterns for the design of tarot cards. It is a pattern from which many subsequent tarot decks derive.

The tarot is a pack of playing cards, used from the mid-15th century in various parts of Europe to play games such as Italian tarocchini, French tarot and Austrian Königrufen, many of which are still played today. In the late 18th century, some tarot decks began to be used for divination via tarot card reading and cartomancy leading to custom decks developed for such occult purposes.

The Sola Busca tarot is the earliest completely extant example of a 78-card tarot deck. It is also the earliest tarot deck in which all the plain suit cards are illustrated. The deck was created by an unknown artist and engraved onto metal in the late 15th century. A single complete hand-painted deck is known to exist, along with 35 uncolored cards held by various museums. The deck is notable not only for its age, but also for the quality of its artwork, which is characterized by expressive figures engraved with precise contours and shading. Various theories have been suggested about who created the deck, but its authorship remains uncertain.

The tarot is a pack of playing cards, used from the mid-15th century in various parts of Europe to play games such as Italian tarocchini, French tarot and Austrian Königrufen, many of which are still played today. In the late 18th century, some tarot decks began to be used for divination via tarot card reading and cartomancy leading to custom decks developed for such occult purposes.

The Tarot de Besançon, also called the Besançon Tarot or Swiss Tarot, describes a type of Tarot pack that was derived from the older forms of the Marseille type, but which portrays characteristic differences.

Tarot ReVisioned is a 2003 book and Hermetic Tarot deck by Leigh McCloskey. The foreword is written by Stanislas Klossowski de Rola.

The Thoth Tarot is a divinatory tarot deck painted by Lady Frieda Harris according to instructions from Aleister Crowley. Crowley referred to this deck as The Book of Thoth, and also wrote a 1944 book of that title intended for use with the deck.