9 Crass albums

Best Before 1984 is a compilation of Crass' singles and other tracks, released in 1986, including lyrics and a booklet which details the history of the band in their own words. The album was named in reference to the notion that 1984 was the band's "'sell by date", the year that they had often publicly stated that they would split up. Indeed, the band ceased gigging and recording in that year.

Bullshit Detector was the name of a series of compilation LPs put together by the anarcho-punk band Crass and released on their Crass Records label. Three editions were released between 1980 and 1984, consisting of demo tapes, rough recordings and artwork that had been sent to the band. The sound quality of the Bullshit Detector series was mixed, and was often very basic or poor as Crass would master the tapes directly to record without any additional production or enhancement. For Crass, the expectation of a polished performance was missing the point of the DIY punk ethic:"Don't expect music when the melody is anger, when the message sings defiance, three chords are frustration when the words are from the heart"

Christ – The Album is the fourth album by Crass, released in 1982. It was released as a boxed-set, double-vinyl LP package, including one disc of new studio material and another, entitled Well Forked.. But Not Dead, a live recording of the band's June 1981 gig at the 100 Club in London along with other studio tracks, demos and tape fragments. The box also included a book, A Series of Shock Slogans and Mindless Token Tantrums, and a large poster painted by Gee Vaucher. The album was well received and the band considered it their best.

The Feeding of the 5000 is the first album by the anarcho-punk band Crass. The album was recorded on 29 October 1978, by John Loder at Southern Studios and was released the same year. It was considered revolutionary in its time due to what was considered an extreme sound, frequently profane lyrical content and the anarchist political ideals in the lyrics. The album also saw the introduction of Crass's policy of ensuring cheap prices for their records. This album is considered one of the first punk albums to expound serious anarchist philosophies.

Penis Envy, released in 1981, was the third LP by the anarchist punk band Crass. The album is included as #36 on Rolling Stone's "40 Greatest Punk Albums of All Time" list in 2016.

Stations of the Crass is the second album by Crass, released in 1979. The record, originally released as a double 12", includes live tracks from a gig recorded at the Pied Bull pub in Islington, London, on 7 August 1979. The first three sides contain the studio tracks and play at 45 rpm, while the final side comprises the live material and plays at 33 rpm. The album's title is not only a pun on the Catholic rite of the Stations of the Cross, but is also a reference to the graffiti campaign that the band had been conducting around London's underground railway system, the cover artwork depicting a wall at Bond Street tube station that had allegedly been 'decorated' by them. Although the album met mixed critical reception at first, it managed to sell at least 20,000 copies within two weeks.

Ten Notes on a Summer's Day is Crass' final album under the Crass name. It was released in 1986 and consists of a vocal and instrumental version of the same tracks in an avant-garde musical style.

Yes Sir, I Will was the fifth and penultimate album released in March 1983 by anarcho-punk band Crass. The album is a virulent attack on then-Prime Minister of the United Kingdom Margaret Thatcher and her government in the aftermath of the Falklands War and was set nearly wholly over a raging and an almost free-form improvised backing provided by the group's musicians.

You'll Ruin It for Everyone is a live album by Crass recorded at the Lesser City Hall in Perth, Scotland, on July 4, 1981. It was released in 1993 on Pomona Records with the band's permission and re-released with different packaging in 2001. The album's title is taken from a comment made from the stage by Crass singer Steve Ignorant whilst trying to stop a group of skinheads in the audience from fighting.