
The Band's Visit is a stage musical with music and lyrics by David Yazbek and a book by Itamar Moses, based on the 2007 Israeli film of the same name. The musical opened on Broadway at the Ethel Barrymore Theatre in November 2017, after its off-Broadway premiere at the Atlantic Theater Company in December 2016.
The Basic Training of Pavlo Hummel is a play by David Rabe.

Bug is a play by American playwright Tracy Letts. It was adapted into a film in 2006, with Letts writing the screenplay and Michael Shannon reprising his role as Peter.

Floyd Collins is a musical with music and lyrics by Adam Guettel, and book by Tina Landau. The story is based on the death of Floyd Collins near Cave City, Kentucky in the winter of 1925. The musical opened Off-Broadway on February 9, 1996, where it ran for 25 performances. There have been subsequent London productions as well as regional U.S. productions.

FOB is a 1980 Obie Award-winning play by American playwright David Henry Hwang. His first play, it depicts the contrasts and conflicts between established Asian Americans and "fresh off the boat" (FOB) newcomer immigrants.

Hedwig and the Angry Inch is a rock musical with music and lyrics by Stephen Trask and a book by John Cameron Mitchell. The musical follows Hedwig Robinson, a genderqueer East German singer of a fictional rock and roll band. The story draws on Mitchell's life as the child of a U.S. Army Major General who once commanded the U.S. sector of occupied West Berlin. The character of Hedwig was inspired by a German divorced U.S. Army wife who was Mitchell's family babysitter and moonlighted as a prostitute at her trailer park home in Junction City, Kansas. The music is steeped in the androgynous 1970s glam rock style of David Bowie, as well as the work of John Lennon and early punk performers Lou Reed and Iggy Pop.

The Hot l Baltimore is a play by Lanford Wilson set in the lobby of the Hotel Baltimore. The plot focuses on the residents of the decaying property, who are faced with eviction when the structure is condemned. The play draws its title from the hotel's neon marquee with a burned-out "e" that was never replaced.

The House of Blue Leaves is a play by American playwright John Guare which premiered Off-Broadway in 1971, and was revived in 1986, both Off-Broadway and on Broadway, and was again revived on Broadway in 2011. The play won the Drama Critics' Circle Award for Best American Play and the Obie Award for Best American Play in 1971. The play is set in 1965, when Pope Paul VI visited New York City.

Notes from the Field is a 2015 play, which was written and performed by Anna Deavere Smith. The play was first presented by the Berkeley Repertory Theatre, before touring and being adapted into a television movie. It discusses issues revolving around the themes like race, class and America's school-to-prison pipeline, to mention a few.

Octet is a chamber choir musical written and composed by Dave Malloy and directed by Annie Tippe. The show "explores addiction and nihilism within the messy context of 21st century technology."

The Old Glory is a play written by the American poet Robert Lowell that was first performed in 1964. It consists of three pieces that were meant to be performed together as a trilogy. The first two pieces, "Endecott and the Red Cross" and "My Kinsman, Major Molineux" were stage adaptations of short stories by Nathaniel Hawthorne, and the third piece, "Benito Cereno," was a stage adaptation of the novella by Herman Melville.

Rent is a rock musical with music, lyrics, and book by Jonathan Larson, loosely based on Giacomo Puccini's 1896 opera La Bohème. It tells the story of a group of impoverished young artists struggling to survive and create a life in Lower Manhattan's East Village in the thriving days of bohemian Alphabet City, under the shadow of HIV/AIDS.

Serious Money is a satirical play written by Caryl Churchill first staged in London in 1987. Its subject is the British stock market, specifically the London International Financial Futures and Options Exchange (LIFFE). Often considered one of Churchill's finest plays along with Cloud 9 (1979) and Top Girls (1982), it is notable for being largely written in rhyming couplets.

Short Eyes is a 1974 drama written by playwright Miguel Piñero. The play premiered at the Theater of the Riverside Church, was then produced off-Broadway at the Joseph Papp Public Theater on February 28, 1974, and transferred after 54 performances to the Vivian Beaumont Theater on Broadway on May 23, 1974. Short Eyes, prison slang for a child molester, was written for a prisoners' writing workshop during Piñero's incarceration for armed robbery.

Talk is an Obie Award-winning play written by Carl Hancock Rux, commissioned and premiered by The Foundry Theatre at the Joseph Papp Public Theater/New York Shakespeare Festival in 2002. The play was directed by Marion McClinton; set by James Noone; costumes by Toni-Leslie James; lighting by James L. Vermeulen; video, Marilys Ernst; sound by Tim Schellenbaum; dramaturgy and music supervisor, Jocelyn Clarke; production stage manager, Scott Pegg; production manager, Jody Kuh; assistant stage manager, Neelam Vaswani.

A Very Merry Unauthorized Children's Scientology Pageant is a satirical musical about Scientology and L. Ron Hubbard, written by Kyle Jarrow from a concept by Alex Timbers, the show's original director. Jarrow based the story of the one-act, one-hour musical on Hubbard's writings and Church of Scientology literature. The musical follows the life of Hubbard as he develops Dianetics and then Scientology. Though the musical pokes fun at Hubbard's science fiction writing and personal beliefs, it has been called a "deadpan presentation" of his life story. Topics explored in the piece include Dianetics, the E-meter, Thetans, and the story of Xenu. The show was originally presented in 2003 in New York City by Les Freres Corbusier, an experimental theater troupe, enjoying sold-out Off-Off-Broadway and Off-Broadway productions. Later productions have included Los Angeles, New York, Boston, Atlanta, Philadelphia and Washington, D.C.

What the Butler Saw is a two-act farce written by the English playwright Joe Orton. He began work on the play in 1966 and completed it in July 1967, one month before his death. It premiered at the Queen's Theatre in London on 5 March 1969. Orton's final play, it was the second to be performed after his death, following Funeral Games in 1968.

The Woodsman is a 2012 American stage play, written by James Ortiz with music composed by Edward W. Hardy and lyrics by Jennifer Loring. It focuses on the story of the Tin Woodman character from L. Frank Baum's series of books set in the fictional Land of Oz, notably Baum's 1918 book The Tin Woodman of Oz. The production employs live performers, puppets, music, and very few spoken words.