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Adoration of the Christ Child is a painting in tempera and oils of c. 1485 by Bramantino in the Pinacoteca Ambrosiana, Milan.

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The Assumption Altarpiece was a 1529-1530 multi-panel painting by Moretto da Brescia. It is mainly oil on panel, although the two angels on the cornice are in tempera grassa verniciata.

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Crucifixion with Saints or Crucifixion with Mourners and Saints Bernardino of Siena, Francis of Assisi and Petronius is a 1583 oil on canvas, now in the church of Santa Maria della Carità in Bologna. The work was originally sited in the Macchiavelli chapel in San Nicolò di San Felice, Bologna, next to Santa Maria della Carità, which was destroyed by bombing during the Second World War. It was then temporarily moved to the Soprintendenza di Bologna and finally to its current home.

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Saint Bernardino of Siena is a 1603 work by El Greco. It is owned by the Museo del Prado but displayed at the El Greco Museum in Toledo, Spain.

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Madonna and Child with St Michael and St Bernardino is a 1476 tempera and gold on panel triptych by Neroccio di Bartolomeo de' Landi, now in the Pinacoteca Nazionale in Siena. To the left is St Michael, whilst to the right is Bernardino of Siena.

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Mystic Marriage of Saint Catherine is a c.1528 oil on canvas painting by Domenico Beccafumi, now in the palazzo Chigi-Saracini in Siena. Along with the usual saints in such a scene, saint Peter and saint Paul are shown in the foreground and saint Sigismund, Saint Dominic, the infant John the Baptist and Bernardino of Siena in the background. Its tone is influenced by Raphael's Madonna of the Baldacchino and Fra Bartolomeo's works.

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The San Bernardino Altarpiece is a 1521 oil on canvas painting by Lorenzo Lotto, named after the chapel on Via Pignolo in Bergamo, for which it was commissioned by the 'Disciplinati', a lay confraternity. It still hangs in its original position. Lotto also worked on the Santo Spirito Altarpiece at around the same time for the church of Santo Spirito in Bergamo.

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Trigraph of Christ is a fresco fragment by Andrea Mantegna, dated to 1452. It was originally above the main doorway of Basilica of Saint Anthony of Padua and is now in the city's Museo Antoniano. It shows Christ represented by the trigraph 'IHS', between Antony of Padua (left) and Bernardino of Siena (right).