
Aurora Triumphans is a painting by Evelyn De Morgan, featuring the Roman goddess of dawn Aurora, that breaks the shackles of night. Aurora lies naked in the lower right corner, covered with carefully draped ropes of pink roses. Taking up two-thirds of the painting, there are three red-winged angels with trumpets and gold tunics. Set in opposition to Aurora, in the lower left corner is a dark-robed Night, who swirls away a black cloak. In 1886 the painting was exhibited at the Grosvenor Gallery in London.

Eos is an 1895 painting by Evelyn De Morgan. done in a Pre-Raphaelite style. It depicts the Greek goddess Eos, goddess of the dawn and of love, standing on a seashore, surrounded by birds and flowers and pouring water from a jug.

Flora is an 1894 painting by Evelyn de Morgan. Her paintings are figural, foregrounding the female body through the use of spiritual, mythological, and allegorical themes. Flora is the Roman goddess of the flowers. In this portrait Flora is depicted in front of a nescola or loquat tree which bears fruits in the spring. This painting is clearly inspired by Botticelli's work, Primavera and The Birth of Venus.

The Gilded Cage is a 1919 oil painting by Evelyn De Morgan. It was her final work before her death later in the year.

Helen of Troy is an 1898 painting by Evelyn De Morgan depicting Helen of Troy; it was commissioned by William Imrie of Liverpool.

The Love Potion is a 1903 painting by Evelyn De Morgan depicting a witch with a black cat familiar at her feet. According to Elise Lawton Smith, the painting "exhibits a Pre-Raphaelite fascination with medieval subjects and decorative detailing."

Night and Sleep is an 1878 painting by Evelyn De Morgan, an English painter whose works were influenced by the style of the Pre-Raphaelite movement.