
Antonio Ambrogio Alciati was an Italian painter mainly in Northern Italy.

Gian Carlo Aliberti, also Giancarlo or Giovanni Carlo Aliberti, was a prolific Piedmontese painter of the seventeenth and eighteenth centuries.

Gandolfino d'Asti was an Italian painter, who was active in Piedmont during the early Renaissance. He worked between Asti, Alessandria and Montferrat.

Vittorio Avondo was an Italian antiquarian and painter born in Turin, where he served as a member of the city council. In his painting, he depicted mainly landscapes from his native Piedmont. He is considered one of the painters of the School of Rivara, which included Carlo Pittara.

Il Sodoma was the name given to the Italian Renaissance painter Giovanni Antonio Bazzi. Il Sodoma painted in a manner that superimposed the High Renaissance style of early 16th-century Rome onto the traditions of the provincial Sienese school; he spent the bulk of his professional life in Siena, with two periods in Rome.
Giovanni Battista Benaschi, or Beinaschi, (1636–1688) was an Italian painter and engraver active in the Mannerist and Baroque style.

Giacomo Berger or Jacques Berger was a French-Italian painter, active in a Neoclassical style, depicting historical subjects and portraits.

Ernesto Bertea (1836–1904) was an Italian painter, mainly of landscapes and genre paintings.

Carlo Felice Biscarra was an Italian painter and art critic.

Giovanni Battista Biscarra or Jean-Baptiste Biscarra was an Italian painter, sculptor and lithographer. He principally painted historical and religious subjects and royal portraits.

Canuto Borelli was an Italian lawyer and painter, mainly of landscapes and portraits.

Francesco Cairo, also known as Francesco del Cairo, was an Italian Baroque painter active in Lombardy and Piedmont.

Marco Calderini was an Italian painter, mainly of land- and cityscapes (vedute) in a Romantic style.

Giuseppe Camino (1818-1890) was an Italian painter, mainly of landscapes and vedute.

Ferdinando Cavalleri (1794–1867) was an Italian painter, specializing in history subjects and portrait, active in a Neoclassical-style.

Vittorio Cavalleri or Cavalieri was an Italian painter. He mainly painted outdoor genre scenes.

Vittorio Amedeo Cignaroli (1730–1800) was an Italian painter and architect. He was the grandson of Martino Cignaroli.

Carlo Cressini (1864–1938) was an Italian painter.

Luigi Crosio (1835–1915) was an Italian painter who lived and worked in Turin, Italy. He died in Turin and is recorded as having been born in Alba, but the town of Acqui Terme, a few miles south of Alba, claims Crosio was born there.

Michele Cusa was an Italian painter.

Charles Claude Dauphin or Dofin, called in Italian Delfino, a French painter of historical subjects and portraits, was the son of Olivier Dauphin.

Marquis Roberto d’Azeglio (1790–1862) was an Italian painter.

Lorenzo Delleani was an Italian painter.

Giorgio Domenico Duprà (1689-1770) was an Italian rococo court painter born at Turin who was active in the 18th century.

Giuseppe Duprà (1703–1784) was an Italian painter born at Turin who was active in the eighteenth century.

Defendente Ferrari was an Italian painter active in Piedmont. His work marks the transition from late Gothic traditions to Renaissance art in the region.

Paolo Gaidano was an Italian painter, born in Poirino, in the region of the Piedmont.

Enrico Gamba was an Italian painter of genre scenes, period pieces and a few portraits.

Francesco Gamba was an Italian painter, mainly of seascapes.

Andrea Gastaldi was an Italian painter, primarily of historical canvases and portraits.

Bartolomeo Giuliano was an Italian painter.

Francesco Gonin was an Italian painter, engraver and scenographer.

Giacomo Grosso was an Italian painter.

Bartolomeo Guidobono (1654–1709) was an Italian painter known for his scenes with angelic looking figures bathing in soft lighting, which show the influence of Correggio. His elegant and graceful style was very popular in Genoa. He is also known as il Prete di Savona or Prete Bartolomeo da Savona.

Domenico Guidobono (1668-1746) was an Italian painter of easel paintings and frescoes, who together with his brother Bartolomeo Guidobono was one of the principal decorative painters active in Liguria and Piedmont in the late 17th and first half of the 18th century.

Giacomo Jaquerio was an Italian medieval painter, one of the main exponents of Gothic painting in Piedmont. He was active in his native town Turin, Geneva and other localities of Savoy.

Carlo Levi was an Italian painter, writer, activist, anti-fascist, and doctor.

Alessandro Lupo was an Italian painter.

Cesare Maggi was an Italian painter.

Giovanni Monevi or Monevo was an Italian painter of the Baroque period. The name Giovanni Moneri is used by a number of authors, but may reflect a misspelling.

Paolo Emilio Morgari was an Italian painter, primarily of religious subjects.

Beatrice Morgari was an Italian painter, mainly of genre subjects, often depicting intimate family scenes.

Luigi Morgari was an Italian painter, primarily of frescoes on religious themes.

Pietro Morgari was an Italian painter, primarily of portraits.

Rodolfo Morgari was an Italian painter, primarily of genre and historical scenes.

Federigo Pastoris or Count Federico Pastoris was an Italian painter and engraver.

Laurent Pécheux was a French-born painter, active in Rome and Northern Italy in a Neoclassical-style.

Carlo Pittara was an Italian painter who specialized in animals, pastoral landscapes, rivers and peasants at work. He was also the leader of what came to be known as the Scuola di Rivara.

Carlo Pollonera was an Italian painter, particularly of landscapes, and also an important malacologist.
Raffaele Pontremoli, also known as Raffaello Pontremoli, was an Italian painter, mainly as a battle painter.

Giovanni Battista Quadrone was an Italian painter, mainly of genre scenes.

Giovanni Rava was an Italian painter, active mainly in Turin.

Luca Rosetti (1705–1770) was an Italian painter and architect of the 18th century, active in the region of the Piedmont. He painted in style combining luminous late-Baroque and early-Neoclassic styles.

Ernesto Serra was an Italian genre, landscape and portrait painter from Varallo Sesia, Province of Vercelli in the Piemonte Region.

Il Sodoma was the name given to the Italian Renaissance painter Giovanni Antonio Bazzi. Il Sodoma painted in a manner that superimposed the High Renaissance style of early 16th-century Rome onto the traditions of the provincial Sienese school; he spent the bulk of his professional life in Siena, with two periods in Rome.

Giovanni Martino Spanzotti was an Italian painter active in Lombardy and northern Italy.
Andrea Tavernier was an Italian painter, mainly of landscapes and urban vedute.

Giuseppe Troni was an Italian court painter. He was initially a pupil of his father, Alessandro Trono, but completed his studies in Rome. He was portrait painter to the court of Naples, and later to the court in Turin.

Celestino Turletti (1845–1904) was an Italian painter and engraver.

Giacomo Vighi was an Italian painter; he was active mainly in the court of the House of Savoy as a portrait painter.