39 Portraits by Frans Hals

Banquet of the officers of the Calivermen Civic Guard, Haarlem formerly known as The Banquet of the Officers of the St Adrian Militia Company in 1627, refers to a schutterstuk painted by Frans Hals for the St. Adrian civic guard of Haarlem. Today it is considered one of the main attractions of the Frans Hals Museum.

The Banquet of the Officers of the St George Militia Company in 1616 refers to the first of several large schutterstukken painted by Frans Hals for the St. George civic guard of Haarlem, and today is considered one of the main attractions of the Frans Hals Museum there.

The Banquet of the Officers of the St George Militia Company in 1627 refers to a schutterstuk painted by Frans Hals for the St. George civic guard of Haarlem, and today is considered one of the main attractions of the Frans Hals Museum there.

Portrait of Dorothea Berck is a 1644 painting by Frans Hals that is in the collection of the Baltimore Museum of Art. It depicts Dorothea Berck at age 51, the wife of the prosperous Haarlem merchant Joseph Coymans, whose portrait Hals also painted. Both paintings were executed on the occasion of their daughter Isabella's wedding, whose marriage pendants Hals also painted.

Portrait of Mrs. Bodolphe is a painting by the Dutch Golden Age painter Frans Hals, painted in 1643 as half of a pair of pendant marriage portraits and is still together with its pendant in the Yale University Art Gallery, New Haven, Connecticut.

Portrait of Hylck Boner is a painting by the Dutch Golden Age painter Frans Hals, painted in 1635 and now in the Frick Collection. It is considered a pendant to the portrait of Hylck's husband Johannes Saeckma.

Catharina Both van der Eem is a painting by the Dutch Golden Age painter Frans Hals, painted in 1620 and now in Louvre Museum. It is considered a pendant portrait to the Portrait of Paulus van Beresteyn, in the same museum.

Portrait of Catharina Brugmans is a painting by the Dutch Golden Age painter Frans Hals, painted in 1634 and now in a private collection. It is considered a pendant to the portrait of Catharina's husband Tieleman Roosterman.

Lucas de Clercq, was a Dutch cloth merchant known today for his and his wife's pendant marriage portraits painted by Frans Hals.

Portrait of a Dutch Family is a painting by the Dutch Golden Age painter Frans Hals, painted in circa 1635 and now in the Cincinnati Art Museum, Cincinnati.

Family Group in a Landscape is a painting by the Dutch Golden Age painter Frans Hals, painted in circa 1648 and now in the Museo Thyssen-Bornemisza, Madrid.

Portrait of a Woman is a portrait painting by the Dutch Golden Age painter Frans Hals, painted in 1635–1638 and now in the National Gallery at London.

The Laughing Cavalier (1624) is a portrait by the Dutch Golden Age painter Frans Hals in the Wallace Collection in London, which has been described as "one of the most brilliant of all Baroque portraits". The title is an invention of the Victorian public and press, dating from its exhibition in the opening display at the Bethnal Green Museum in 1872–1875, just after its arrival in England, after which it was regularly reproduced as a print, and became among of the best known old master paintings in Britain. The unknown subject is in fact not laughing, but can be said to have an enigmatic smile, much amplified by his upturned moustache.

Portrait of a Man is a painting by the Dutch Golden Age painter Frans Hals, painted circa 1660 and now in the Frick Collection, New York City. The man has been mistakenly identified as Michiel de Ruyter.

Portrait of a Man is a c.1660 oil on canvas portrait of an unknown subject by Frans Hals, produced late in his career. Acquired by Édouard André, it is now in the Musée Jacquemart-André in Paris.

Portrait of a Man in a Yellowish-gray Jacket is a portrait painting by the Dutch Golden Age painter Frans Hals, painted in 1633 and now in the Staatliche Kunstsammlungen Dresden, Dresden.

Portrait of a Man with a Glove or Portrait of a Man Holding a Glove is a 1640 painting by Frans Hals. The subject of the painting is unknown but believed to be a physician partially due to the painting previously having been called Portrait of a Doctor. The portrait demonstrates Hals' "rapid spontaneous manner of painting". It was acquired in 1764 by the Hermitage Museum in Russia.. It was previously owned by Frederick the Great, who sent it to Catherine the Great as part of a batch of paintings in lieu of paying off several debts to Russia.

Marriage Portrait of Isaac Massa and Beatrix van der Laen is a painting by the Dutch Golden Age painter Frans Hals, painted in 1622 and now in the Rijksmuseum, Amsterdam. The couple has been identified as Isaac Massa and his bride Beatrix van der Laen.

Portrait of Isaak Abrahamsz. Massa is a 1626 painting by Frans Hals that is in the collection of the Art Gallery of Ontario. It depicts Isaac Massa, a prosperous merchant and a close friend of Hals. Massa was the subject of an earlier work by Hals – Isaak Abrahamsz Massa and Beatrix van der Lean – which also featured his wife. Massa would commission another portrait by Hals in 1635.

The Officers of the St Adrian Militia Company in 1633 refers to the second schutterstuk painted by Frans Hals for the Cluveniers, St. Adrian, or St. Hadrian civic guard of Haarlem, and today is considered one of the main attractions of the Frans Hals Museum there.

The Officers of the St George Militia Company in 1639 refers to the last and largest schutterstuk painted by Frans Hals for the St. George civic guard of Haarlem, and today is considered one of the main attractions of the Frans Hals Museum there.

Portrait of Maria Pietersdochter Olycan is a painting by the Dutch Golden Age painter Frans Hals, painted in 1638, now in the São Paulo Museum of Art. It is considered a pendant to the portrait of Maria's husband Andries van Hoorn.

Portrait of a Man is a 1634 oil painting by Frans Hals.

Portrait of Stephan Geraedts, Husband of Isabella Coymans is an oil on canvas painting by Antwerp-born Dutch Golden Age painter Frans Hals. The painting was originally part of a couple of pendant wedding portraits. Hals probably painted the present portrait, Stephanus Geraerdts', alderman in Haarlem, and the accompanying portrait of the latter's wife Isabella Coymans around 1650-1652, six or seven years after their marriage in 1644. Isabella's portrait is now in a private collection in Paris.

The Regentesses of the Old Men's Almshouse Haarlem is a regents' group portrait of four regentesses and their servant painted by Frans Hals for the Oude Mannenhuis in Haarlem, the Netherlands. It forms a pendant with the Regents of the Old Men's Almshouse.

The Regents of the Old Men's Almshouse is a regents' group portrait of five regents and their servant painted by Frans Hals in 1664 for the Oude Mannenhuis in Haarlem, the Netherlands. It forms a pendant with the Regentesses of the Old Men's Almshouse.

Portrait of Feyntje van Steenkiste is a painting by the Dutch Golden Age painter Frans Hals, painted around 1635 and now in the Rijksmuseum. It is considered a pendant to the portrait of Feyntje's husband Lucas de Clercq.

Pieter Tjarck is a portrait painting by the Dutch Golden Age painter Frans Hals, painted in 1638 and now in the Los Angeles County Museum of Art, Los Angeles.

The following is an incomplete list of paintings by Frans Hals that are generally accepted as autograph by the Frans Hals Museum and other sources. The list is more or less in order of creation, starting from around 1610 when Frans Hals began painting on his own. Prior to that he was employed by the Haarlem council as a city art restorer and before that he was assistant to Karel van Mander.

Portrait of Cunera van Baersdorp is a painting by the Dutch Golden Age painter Frans Hals, painted in 1625 and now in a private collection. It is considered a pendant portrait to the Portrait of a Man Standing, now identified as Cunera's husband Michiel de Wael.

Portrait of Anna van der Aar is a painting by the Dutch Golden Age painter Frans Hals, painted in 1626 and now in the Metropolitan Museum of Art. It is considered a pendant portrait to that of her husband, the writer Petrus Scriverius.

Portrait of Sara Wolphaerts van Diemen is a painting by the Dutch Golden Age painter Frans Hals, painted around 1630-1633 and now in the Rijksmuseum. It is considered a pendant to the portrait of Sara's husband Nicolaes Hasselaer.

Willem van Heythuysen posing with a sword is a painting by the Dutch Golden Age painter Frans Hals, painted in 1625 and now in the Alte Pinakothek, Munich. It shows the Haarlem cloth merchant Willem van Heythuysen in a theatrical pose with a rapier.

Claes Duyst van Voorhout is a portrait painting by the Dutch Golden Age painter Frans Hals, painted in 1638 and now in the Metropolitan Museum of Art, New York City.

Portrait of Cornelia Claesdr. Vooght is a painting by the Dutch Golden Age painter Frans Hals, painted in 1631 and now in the Frans Hals Museum. It is considered a pendant portrait to that of her husband, the Haarlem brewer and mayor Nicolaes Woutersz van der Meer.

Portrait of Maritge Claesdr. Vooght is a painting by the Dutch Golden Age painter Frans Hals, painted in 1639 and now in a private collection. It is considered a pendant portrait to that of her husband, the Haarlem brewer and mayor Pieter Jacobsz Olycan.

Portrait of a Woman in a Chair is a painting by the Dutch Golden Age painter Frans Hals, painted in 1627 and now in the Art Institute of Chicago. It is considered a pendant portrait, but the sitter is unknown and therefore the pendant is not certain.

Portrait of a Woman Standing is a painting by the Dutch Golden Age painter Frans Hals, painted in 1610–1615 and now in Chatsworth House. It is considered a pendant portrait, but the sitter is unknown and therefore the pendant is not certain.

Portrait of a Woman Standing (Kassel) is a painting by the Dutch Golden Age painter Frans Hals, painted in 1618–1620 and now in Gemäldegalerie Alte Meister (Kassel). It is considered a pendant portrait to the Portrait of a Man Standing, in the same museum.