39 Paintings by Moretto da Brescia

Adoration of the Shepherds with Saints Nazarius and Celsus is a 1540 oil on canvas painting by Moretto da Brescia in the church of Santi Nazaro e Celso in Brescia. As its title suggests, it shows Nazarius and Celsus, patron saints of the church.

Annunciation' is a 1535–1540 oil on panel painting by Moretto da Brescia, now in the Pinacoteca Tosio Martinengo in Brescia, having been left to the city collection by count Paolo Tosio in 1832 – no previous owners are known. Its small dimensions mean it was probably painted for a home or clergy house rather than a church. Several replicas and copies are known, some of which are now lost.

The Assassination of Saint Peter Martyr or The Martyrdom of Saint Peter of Verona is a 1530-1535 oil on canvas painting by Moretto da Brescia, now in the Sala dell'Esedra in the Pinacoteca Ambrosiana in Milan. It is influenced by Titian and Vincenzo Foppa, particularly Foppa's fresco of the same subject in the Portinari Chapel in Milan, whilst it itself proved the model for Caravaggio's The Martyrdom of Saint Matthew.

The Assumption Altarpiece was a 1529-1530 multi-panel painting by Moretto da Brescia. It is mainly oil on panel, although the two angels on the cornice are in tempera grassa verniciata.

Assumption of the Virgin is a 1524-1526 oil on canvas painting by Moretto da Brescia, displayed as the high altarpiece in the Old Cathedral in Brescia.

Chiesa di San Giovanni Evangelista Organ Case is a set of four tempera on canvas paintings produced in c.1535 by Moretto da Brescia. The inner sides show stories from the life of John the Baptist and scenes from the life of John the Evangelist. They now hang on the walls of the chancel of the church for which they were painted, San Giovanni Evangelista in Brescia.

Christ and the Angel is a c.1550 oil on canvas painting by Moretto da Brescia, now in the Pinacoteca Tosio Martinengo in Brescia. In 1630 Bernardino Faino recorded it "in the Capella della Santissima Croce d'oro et fiamma" in Brescia's Old Cathedral. It was restored in 1914 and 1935.

Christ in Glory with Saint Peter and Saint Paul is a c.1540 oil on canvas painting by Moretto da Brescia, displayed on the altar dedicated to St Peter in the abbey church of San Nicola in Rodengo-Saiano, where it has been since its production. It shows Christ handing the keys of the kingdom to Saint Peter and the book of doctrine to Paul of Tarsus. It was probably commissioned by one or more of the Olivetan monks of the church, probably by Tommaso da Gussago, as referred to by Luigi Fé d'Ostiani in 1886 on the basis of an unidentified document

Christ with Moses and Solomon is a 1541-1542 oil on canvas painting by Moretto da Brescia, displayed on the altar of the Most Holy Sacrament in the collegiate church of Santi Nazaro e Celso in Brescia, the artist's home town. It has been the altarpiece for that altar throughout the historical record, from Bernardino Faino's mention of it in 1630 to the present day

Christ with the Cross or Christ with the Cross and a Monk is a 1518 oil on panel painting by Moretto da Brescia, now in the Accademia Carrara in Bergamo.

Christ with the Eucharist and Saints Bartholomew and Roch is a c.1545 oil on canvas painting by Moretto da Brescia, still in the church of San Bartolomeo in Castenedolo in the Province of Brescia, Italy.

Christ with the Eucharist and Saints Cosmas and Damian is a c.1540 oil on canvas painting by Moretto da Brescia, still in the church dedicated to the two saints in Marmentino and now on its high altar.

The Coronation of the Virgin Altarpiece is a c.1534 five panel work by Moretto da Brescia. Its central panel and upper panel are still in the church of Santi Nazaro e Celso in Brescia, whilst the two upper roundels and predella are in the same church's rectory.

The Dead Christ Adored by Saint Jerome and Saint Dorothy or Saint Jerome and Saint Dorothy Adoring Christ in the Tomb is a 1520-1521 tempera verniciata on canvas painting by Moretto da Brescia. It is on show above the left-hand side door to the church of Santa Maria in Calchera in Brescia, though it is not thought to have originally been produced for that church as neither Jerome nor Dorothy had an active cult in that parish and they rarely appear in art together.

The Deaf-Mute Filippo Viotti's Vision of the Virgin Mary is a c.1534 oil on canvas painting by Moretto da Brescia, displayed in the Santuario della Madonna at Paitone in the Province of Brescia, Italy. It is first recorded in 1648 by Carlo Ridolfi, who wrote that "in the church atop Monte Paitone one can still admire a miraculous image of the Virgin which Moretto made at the request of that town for such a miracle".

The Holy Cross Standard is a 1520-1521 oil on canvas painting by Moretto da Brescia, commissioned by the Brescia's city council for the Company of the Guardians of the Holy Cross, guardians of the Sante Croci treasury at the city's Old Cathedral. It is now in the Pinacoteca Tosio Martinengo in the city.

Lament over the Dead Christ is a 1526–1530 oil on canvas painting by Moretto da Brescia, now in the National Gallery of Art in Washington. Two copies of the work are in Italian private collections, whilst a third is in the parish church of San Giovanni Battista in Coccaglio in the Province of Brescia.

The London Altarpiece or The Madonna and Child with Saints is a c.1540 oil on canvas painting by Moretto da Brescia, now in the National Gallery, London.

The Luzzago Altarpiece is a 1542 oil on canvas painting by Moretto da Brescia, now in the Pinacoteca Tosio Martinengo in Brescia. It was recorded in San Giuseppe church in Brescia in 1630 and moved to its present home in 1868. In the lower register Michael the Archangel points the kneeling donor to the Madonna and Child above, whilst Francis of Assisi stands to the right with a cross.

Massacre of the Innocents is a 1531-1532 oil painting by Moretto da Brescia, originally painted on panel but later transferred to canvas. It is on display on a side altar in San Giovanni Evangelista church in Brescia.

Mystic Marriage of Saint Catherine is a c.1543 oil on canvas painting by Moretto da Brescia, on display on a side altar in the church of San Clemente in Brescia. In the upper register are Catherine of Alexandria, the Madonna and Child and Catherine of Siena, whilst below are Paul and Jerome.

The Orzinuovi Altarpiece or Enthroned Madonna and Child with Saints Dominic, Joseph, Vincent Ferrer, Lucy and a Commissioner is a 1525–1530 oil on canvas painting by Moretto da Brescia on the wall of the chancel of the church of San Domenico in Orzinuovi.

Pentecost is a 1543–44 oil on canvas painting by Moretto da Brescia, originally painted for San Giuseppe church in Brescia and now in the city's Pinacoteca Tosio Martinengo.

Portrait of a Gentleman with a Letter is a 1535–1540 painting by Moretto da Brescia, now in the Pinacoteca Tosio Martinengo in Brescia, to which it was given in 1854. No record of it before that dates survives, though some art historians have identified it with a lost Portrait of Pietro Aretino recorded in correspondence.

Portrait of a Man is a 1526 oil on canvas painting by Moretto da Brescia, now in the National Gallery, London, which acquired it in 1876 from Fenaroli Avogadro, an inhabitant of Brescia. It is held to be the first surviving standing life-size portrait in art history, predating those of Titian.

Portrait of an Ecclesiastic is a c.1545 oil on canvas painting by Moretto da Brescia, now in the Alte Pinakothek in Munich, Germany. It was acquired in 1838 in Venice by marquess Canova.

Portrait of Fortunato Martinengo Cesaresco is a 1542 oil on canvas painting by Moretto da Brescia, now in the National Gallery, London. X-ray photography during a 1973 restoration showed a table in front of the man with an open book on it.

The Pralboino Altarpiece is a 1540-1545 oil on canvas painting by Moretto da Brescia in the church of Sant'Andrea in Pralboino, Province of Brescia, Italy. The work's upper register shows the Madonna and Child with Francis of Assisi and Saint Joseph, whilst below are saints Jerome, Louis of Toulouse, Anthony of Padua, Clare of Assisi and the painting's commissioner, cardinal Uberto Gambara, member of a local family. It was originally in the same town's Franciscan church of Santa Maria degli Angeli.

The Rovelli Altarpiece is a 1539 oil on canvas painting by Moretto da Brescia, which since 1899 has been in the Pinacoteca Tosio Martinengo in Brescia, Italy. Strongly influenced by Titian, it is named after the schoolmaster Galeazzo Rovelli who commissioned it for the church of Santa Maria dei Miracoli in Brescia in 1539, where it remained until being removed in the 19th century and replaced by a copy. Its composition was reused by Moroni in his Mystic Marriage of Saint Catherine in the 1560s.

Salomé is an oil painting on canvas, by Moretto da Brescia, from 1540.

The Salvation Triptych is a triptych in oils on canvas by Moretto da Brescia, dating to 1521–1524 or 1527–28. All three of its panels are now in private collections, two in Brescia and one in Biella.

The Sant'Eufemia Altarpiece is a 1526-1530 oil on panel painting by Moretto da Brescia, originally on the high altar of Sant'Afra in Brescia and now in the Pinacoteca Tosio Martinengo in the town. The Sant'Afra Reliquary was also based on the painting. The painting's lower register shows saints Benedict of Nursia, Euphemia, Justina and Paterius.

St Anthony of Padua with Two Saints is a c.1530 oil on canvas painting by Moretto da Brescia, now in the Pinacoteca Tosio Martinengo in Brescia. The other two saints shown are Antony the Great and Nicholas of Tolentino.

St Antony the Abbot is a 1530-1534 oil on canvas painting of Antony the Great by Moretto da Brescia on display on one of the side-altars in the Santuario della Madonna della Neve in Auro, Casto, Province of Brescia, Italy.

St Justina of Padua with a Donor is a c.1530 oil on panel painting by Moretto da Brescia, now in the Kunsthistorisches Museum in Vienna, to which it was transferred in the late 19th century soon after the Museum's opening. It shows Justina of Padua.

St Margaret of Antioch with Two Saints is a 1530 oil on panel painting by Moretto da Brescia on display on the side-altar of St Jerome in the church of San Francesco in Brescia. To the left of Margaret of Antioch is shown Saint Jerome, whilst to the right is Francis of Assisi.

The Standard of Our Lady of Mercy is a 1520-1522 oil on canvas painting by Moretto da Brescia, now in the Tempio Canoviano in Possagno. It is made up of two canvases, now separated one showing Our Lady of Mercy and the other shows The Prophets Enoch and Elijah.

Supper at Emmaus is a c.1526 oil on canvas painting by Moretto da Brescia, now in the Pinacoteca Tosio Martinengo in Brescia. It was originally painted for the church of San Luca in the city, where it was first recorded in 1630 by Bernardino Faino, who saw it in the San Sebastiano chapel.

Supper in the House of Simon the Pharisee is a 1544 oil on canvas painting by Moretto da Brescia, now in the Chiesa della Pietà in Venice, Italy.