
Adoration of the Magi is a c.1529 oil on panel painting by Parmigianino, now in San Domenico church in Taggia.

Adoration of the Shepherds is a c.1521-1522 oil on panel painting by Parmigianino, now in a private collection. The work was rediscovered by Gould in 1992 and a year later was exhibited at the Kunsthaus Zürich. Like Nativity, it was identified as a work of the artist's youth, whilst he was still strongly influenced by Correggio, an influence which only faded after 1524.

Antea is a painting by the Italian Mannerist artist Parmigianino, executed around 1524-1527.

Baptism of Christ is a c.1519 oil on panel painting by Parmigianino, the earliest surviving work by the artist, produced when he was only sixteen. It is now in the Gemäldegalerie in Berlin.

The Bardi Altarpiece, is an Italian Mannerist painting by the Italian painter Parmigianino, dating from c. 1521 and housed in the church of Santa Maria at Bardi, Emilia-Romagna, Italy.

Boy with a Finger in His Mouth is a c.1530 oil on panel painting by Parmigianino, now in a private collection. In his right hand he holds a tablet with his ABC. Arturo Quintavalle argued it was a copy after Parmigianino, but most other art historians argue it to be an autograph work.

The Circumcision of Jesus, a painting by the Italian Mannerist artist Parmigianino of the common subject of the circumcision of Jesus, was made around 1523 and is now in the Detroit Institute of Arts, Michigan, United States.

The Conversion of St Paul is a 1527 oil on canvas painting by Parmigianino, now in the Kunsthistorisches Museum in Vienna.

Cupid Making His Bow is a painting by the Italian late Renaissance artist Parmigianino. It is housed in the Kunsthistorisches Museum, Vienna, Austria.

The Doria Madonna is a c.1525 oil on panel painting by Parmigianino, now in the Galleria Doria-Pamphili in Rome. Its shape and dimensions show it to form a diptych with the Nativity with Angels in the same gallery. A smaller autograph version also survives in the Uffizi.

Female Martyr with Two Angels is a c.1523-1524 oil on panel painting by Parmigianino, now in the Städel Museum in Frankfurt, to which it was donated in 1913 by Baroness Emilie Margarethe Beaulieu-Marconnay, member of a family of bankers and art patrons in the city.

Holy Family with the Infant Saint John the Baptist is a c.1528 painting by Parmigianino. It was in the Palazzo Farnese in Rome until 1662, when it moved to Parma. There it hung in the Palazzo del Giardino and later in the Galleria Ducale - the 'Descrizione' of the latter in 1725 called it one of the finest works on display there. It and the rest of the Farnese collection were later moved to Naples and the work was exhibited for a few years in the Palazzo Reale before moving to its present home in the National Museum of Capodimonte. Two early copies remain in the Galleria Nazionale and Palazzo Comunale in Parma.

The Shrine of Santa Maria della Steccata is a Greek-cross design Renaissance church in central Parma, Italy. The name derives from the fence or steccato used to corral the numerous devotees who visited a venerated image of the Madonna. A Nursing Madonna is enshrined within, crowned on 27 May 1601 by a Marian devotee, Fray Giacomo di Forli of the Capuchin order.

Lucretia is a 1540 oil on panel painting of Lucretia by Parmigianino, originally in the Farnese collection and now in the Museo nazionale di Capodimonte in Naples.

The Madonna with the Long Neck, also known as Madonna and Child with Angels and St. Jerome, is an Italian Mannerist oil painting by Parmigianino, dating from c. 1535-1540 and depicting Madonna and Child with angels. The painting was begun in 1534 for the funerary chapel of Francesco Tagliaferri in Parma, but remained incomplete on Parmigianino's death in 1540. Ferdinando de' Medici, Grand Prince of Tuscany, purchased it in 1698 and it has been on display at the Uffizi since 1948.

Man Holding a Book or Man with a Book is a c.1529 oil on panel painting by Parmigianino, now in the Kunsthistorisches Museum in Vienna.

Mystic Marriage of Saint Catherine is an unfinished c.1529 oil on panel painting of the mystical marriage of Saint Catherine by Parmigianino.

Mystic Marriage of Saint Catherine or Mystic Betrothal of Saint Catherine is a c.1524 oil on canvas painting, now in the city's Galleria Nazionale. Art historians argue that the work may be attributed to the period in which Parmigianino was painting his first works in the church of San Giovanni Evangelista, as also emerges from a recent restoration, which has shown that its technique is near-identical to that of Parmigianino - "no underdrawing, pigment use, descriptive speed, drafting of final shadows, using fingers and brush-ends as tools".

The Mystic Marriage of St Catherine is a c.1529 oil on panel painting of the mystical marriage of Saint Catherine by Parmigianino, now in the National Gallery, London, who acquired it in 1974. It was engraved by Giulio Bonasone.

Nativity or Rest on the Flight into Egypt is a c.1521-1522 oil on panel painting by Parmigianino, now in the Courtauld Gallery in London.

Nativity with Angels is a c.1525 oil on panel painting by Parmigianino, now in the Galleria Doria-Pamphili in Rome. Its shape and dimensions show it to form a diptych with the Doria Madonna in the same gallery.
San Giovanni Evangelista is a church in Parma, northern Italy, part of a complex also including a Benedictine convent and grocery.
San Giovanni Evangelista is a church in Parma, northern Italy, part of a complex also including a Benedictine convent and grocery.

Saint Barbara is a c.1523 oil on panel painting by Parmigianino, now in the Prado Museum in Madrid. Copies of it are in the Mauritshuis, Pomona College and Chatsworth House.

The Shrine of Santa Maria della Steccata is a Greek-cross design Renaissance church in central Parma, Italy. The name derives from the fence or steccato used to corral the numerous devotees who visited a venerated image of the Madonna. A Nursing Madonna is enshrined within, crowned on 27 May 1601 by a Marian devotee, Fray Giacomo di Forli of the Capuchin order.

Saint Roch is a c.1528 tempera on canvas painting by Parmigianino, now in a private collection in Parma. It measures 27.8 by 21.5 cm. A preparatory study for the work survives in the Bonnat Museum in Bayonne. Like the artist's Saint Roch with a Donor (1527), its elongated figures are typical of works produced during his stay in Bologna after escaping the Sack of Rome.

The Basilica of San Petronio is a minor basilica and church of the Archdiocese of Bologna located in Bologna, Emilia Romagna, northern Italy. It dominates Piazza Maggiore. The basilica is dedicated to the patron saint of the city, Saint Petronius, who was the bishop of Bologna in the fifth century. Construction began in 1390 and its main facade has remained unfinished since. The building was transferred from the city to the diocese in 1929; the basilica was finally consecrated in 1954. It has been the seat of the relics of Bologna's patron saint only since 2000; until then they were preserved in the Santo Stefano church of Bologna.
San Giovanni Evangelista is a church in Parma, northern Italy, part of a complex also including a Benedictine convent and grocery.
San Giovanni Evangelista is a church in Parma, northern Italy, part of a complex also including a Benedictine convent and grocery.

The Shrine of Santa Maria della Steccata is a Greek-cross design Renaissance church in central Parma, Italy. The name derives from the fence or steccato used to corral the numerous devotees who visited a venerated image of the Madonna. A Nursing Madonna is enshrined within, crowned on 27 May 1601 by a Marian devotee, Fray Giacomo di Forli of the Capuchin order.

The Rocca Sanvitale, or Sanvitale Castle, is a fortress residence in the centre of the town of Fontanellato, near Parma, northern Italy. Construction of the moated block, accessible through a drawbridge, was begun in the 13th century, mostly completed by the 15th century, with embellishments continuing through to the 18th century. It is prototypical of the urban castle-houses of the turbulent medieval communes of Northern Italy. Until the 1930s it was the home of the descendants of the Count of Sanvitale.

Turkish Slave is a painting by the Italian Mannerist artist Parmigianino, executed around 1533. It is housed in the Galleria nazionale di Parma, northern Italy.

The Vision of Saint Jerome is a painting by the Italian Mannerist artist Parmigianino, executed in 1526–1527. It is now in the National Gallery, London, United Kingdom.

The Shrine of Santa Maria della Steccata is a Greek-cross design Renaissance church in central Parma, Italy. The name derives from the fence or steccato used to corral the numerous devotees who visited a venerated image of the Madonna. A Nursing Madonna is enshrined within, crowned on 27 May 1601 by a Marian devotee, Fray Giacomo di Forli of the Capuchin order.