WThe 1476 Altarpiece or San Domenico Altarpiece is a 1476 tempera and gold on panel altarpiece by Carlo Crivelli. Its central panel of the Pietà is now in the Metropolitan Museum of Art in New York, whilst the other nine are now in the National Gallery, London.
WThe Assumption Altarpiece was a 1529-1530 multi-panel painting by Moretto da Brescia. It is mainly oil on panel, although the two angels on the cornice are in tempera grassa verniciata.
WThe Carnesecchi Triptych was an altarpiece of c. 1423–1425 by Masolino, Masaccio and others, depicting the Madonna and Child with Saints Catherine of Alexandria and Julian the Hospitaller. It seems to mark the beginning of Masolino and Masaccio's collaboration.
WCoronation of the Virgin is an oil on canvas painting by Domenico Beccafumi, executed c. 1539, now in the Pinacoteca nazionale in Siena.
WMadonna of the Swallow is a painting by Carlo Crivelli. It is named after the swallow perched on the top left hand corner of the Madonna's throne - the bird was a symbol of the Resurrection. It was commissioned by Ranuzio Ottoni and Giorgio di Giacomo for the church of San Francesco in Matelica in March 1490 - Ottoni was Lord of Matelica and Giacomo was guardian of the local Franciscan monastery. It was completed between 1490 and 1492. It is now in the National Gallery, London, who bought it in 1862.
WThe Croce al Tempio Lamentation is a 1436 or 1440 tempera on panel painting by Beato Angelico, now in the Museo nazionale di San Marco in Florence. It is named after its commissioner, the 'Compagnia di Santa Maria della Croce al Tempio'.
WThe Crowning of Saint Catherine is an oil on canvas painting by Peter Paul Rubens, now in the Toledo Museum of Art. It portrays Catherine of Alexandria, an early 4th century martyr.
WDeesis with Saint Paul and Saint Catherine is a 1520 oil on panel painting by Giulio Romano, now in the Galleria nazionale di Parma. Its title refers to deesis, a subject in Christian iconography, shown here with Paul of Tarsus and Catherine of Alexandria in the lower register and the Virgin Mary and John the Baptist in the upper.
WHoly Family with Saint Catherine and Saint John the Baptist is an oil on canvas painting by Paolo Veronese, now in the Uffizi in Florence. Its dating is debated, varying between his early period and his late one, the latter influenced by Tintoretto, with the latter the majority view, placing it in c.1562-1565. Some early copies survive, one on parchment by Carlo Loth, one by Gian Antonio Guardi and a third of almost exactly the same dimensions as the original, possibly autograph.
WHoly Family with Saint Catherine of Alexandria is a 1533 oil on canvas painting by Lorenzo Lotto, now in the Accademia Carrara in Bergamo. It is signed and dated "Laurentius Lotus 1533" and it measures 85.7 cm in height and 110.8 cm in width. Six later copies after the work are known. The Bergamo version is judged to be of exceptional quality, and the earliest.
WThe Immaculate Conception with Saints is a painting by the Italian Renaissance painter Piero di Cosimo, executed between 1485 and 1505. It is housed in the Uffizi Gallery of Florence, Italy.
WThe London Altarpiece or The Madonna and Child with Saints is a c.1540 oil on canvas painting by Moretto da Brescia, now in the National Gallery, London.
WMadonna and Child with Saint Catherine of Alexandria is a c.1550 oil on panel painting by the studio of Titian, now in the Galleria degli Uffizi. It was restored around the end of the 18th century, when the present carved and gilded frame was probably added.
WMadonna and Child with Saint Catherine of Alexandria and Saint Barbara is a c.1520 oil on panel painting by the Master of Hoogstraeten, an anonymous Antwerp master active between around 1490 and 1530. It is now in the Uffizi Gallery in Florence.
WMadonna and Child with Saint Martin and Saint Catherine is a c.1530 oil on canvas painting by Moretto da Brescia, now on the high altar in the church of San Martino in Porzano, Province of Brescia. It is the painter's first mature work and forms an important step towards his Coronation of the Virgin Altarpiece.
WMadonna and Child with Saints, Madonna and Child Enthroned with the Infant St John the Baptist, St John the Evangelist and Saint Catherine of Alexandria or the San Giorgio Madonna is a 1593 oil on canvas painting by Annibale Carracci, originally in the Landini chapel in the church of San Giorgio in Poggiale, Bologna. During the 19th century the conservation conditions there worsened and it was moved to the Accademia di Belle Arti for restoration, before being moved to its current home in the then-new Pinacoteca Nazionale di Bologna.. It is signed and dated "ANNI CARR FE MDXCIII".
WMadonna and Child with Saints is a 1540 oil on canvas painting by Moretto da Brescia, now displayed on an altar below the organ at the church of San Giorgio in Braida in Verona, Italy. It shows the female martyrs Catherine of Alexandria, Lucy, Cecilia, Barbara and Agnes. It was commissioned in 1540 by the canons of the San Giorgio Monastery and is still in its original location. It was first recorded in 1648 by Carlo Ridolfi, though he and later sources were not precise as to its location.
WMadonna and Child with St John the Baptist and St Catherine of Alexandria is a c.1495 oil on panel painting by Perugino of the Madonna and Child with John the Baptist and Catherine of Alexandria. It is now in the Louvre in Paris.
WMadonna and Child with Two Saints and a Donor is a c.1395-1400 tempera and gold leaf on panel painting by Gentile da Fabriano, the earliest surviving major work by the artist. Probably painted for the church of Santa Caterina in Castelvecchio in Fabriano, near to which it is now in the Gemäldegalerie in Berlin.
WOlera Altarpiece is an oil on panel nine-panel altarpiece by Cima da Conegliano, created c. 1486-1488, housed in the parish church in Olera.
WMadonna and Child with St Rose and St Catherine is a c.1490–1492 tondo oil on panel painting by Pietro Perugino and Andrea Aloigi. It shows the Madonna and Child with Rose of Viterbo and Catherine of Alexandria surrounded by angels It was sold from the collection of William II of the Netherlands in 1850 to the Louvre, where it now hangs.
WMadonna and Child with Two Saints is a tempera on panel painting by Perugino, dating to around 1495. It is now in the Kunsthistorisches Museum in Vienna. The saint to the right is Catherine of Alexandria, whilst the saint to the left is unidentified but may be Rose of Viterbo or Mary Magdalene.
WThe Madonna in Glory with Saints is a painting by the Italian Renaissance painter Pietro Perugino, dating to c. 1500–1501. It is housed in the Pinacoteca Nazionale of Bologna, Italy.
WThe Pieve di Sant'Andrea is an 11th-century pieve or rural church in Cercina, Tuscany, central Italy.
WThe Porto San Giorgio Altarpiece or Porto San Giorgio Polytpych was a 1470 multi-panel tempera and gold on panel altarpiece by Carlo Crivelli. Stylistically similar to Crivelli's Massa Fermana Altarpiece, the work was a fundamental step in his evolution away from the Paduan Renaissance towards a more delicate and realist style.
WThe Madonna and Child with Six Saints, also known as Sant'Ambrogio Altarpiece, is a painting by the Italian Renaissance master Sandro Botticelli, finished around 1470. It is housed in the Galleria degli Uffizi, in Florence.
WThe Santo Spirito Altarpiece is a 1521 oil on panel painting by Lorenzo Lotto, signed and dated "L. Lotus / 1521". The work shows the Madonna and Child with saints Catherine of Alexandria, Augustine of Hippo, Sebastian and Anthony the Great. At the foot of the throne is John the Baptist as a child with the Lamb of God.
WSant'Apollonia Altarpiece is a 1761 oil on canvas painting by Pietro Scalvini, still on its original site on a side altar in the church of San Giuseppe in Brescia. Its central figures are Saint Apollonia adoring the Madonna and Child, with Catherine of Alexandria and Saint Lucy at lower left and cherubs holding the palms and crowns of martyrdom at lower right.
WSaint Catherine of Alexandria is a c.1512 tempera on panel painting. It is a fragment from the predella of a lost altarpiece by Luca Signorelli. It is now in the Museo Horne in Florence.
WThe St John Chrysostom Altarpiece is a 1510–1511 oil on canvas painting by Sebastiano del Piombo, that is kept in San Giovanni Grisostomo, Venice. It belongs to the sacra conversazione genre.
WSt Mark with Saints Leonard and Catherine of Alexandria is an oil painting by Francesco Beccaruzzi. It is preserved in the cathedral in Conegliano, the artist's hometown.
WThe Suardi Chapel is an oratory or private chapel inside the villa in Trescore Balneario, Province of Bergamo owned by the Suardi counts. It is dedicated to Saint Barbara and Saint Brigid and was completely rebuilt by the cousins Giovan Battista and Maffeo Suardi. It is fully covered in 1524 frescoes commissioned by them from by Lorenzo Lotto of Christ the Vine and Lives of the Saints. In the 19th century count Gianforte Suardi built a corridor connecting the chapel to the villa and modified the chapel entrance - those entering had previously immediately found themselves in front of the north wall with its depiction of Christ the Vine.
WThe Virgin Appears to the Saint Luke and Saint Catherine is an oil on canvas painting by Annibale Carracci, now in the Louvre in Paris. It was commissioned in 1589 for the notaries' chapel in Reggio Emilia Cathedral and completed three years later. It is also known as The Virgin of Saint Luke, The Saint Luke Madonna and Child and Apparition of the Virgin to Saint Luke and Saint Catherine. Luke was chosen as the patron saint of both painters and notaries, appearing twice, at bottom left and top right. The work was looted from Italy by Napoleon's troops in 1798, placed in the Louvre and not returned to Italy at the end of the Napoleonic Wars's end.