33 Paintings by Francisco Goya

The Adoration of the Name of God or The Glory (1772) is a fresco painted by Francisco Goya on the ceiling of the cupola over the Small Choir of the Virgin in the Basílica de Nuestra Señora del Pilar in Zaragoza.

Allegory of Industry is a tondo painted by Francisco de Goya which was one of the four paintings from a series of allegories about scientific and economic progress, which decorated a waiting room of the residence of Manuel Godoy, Prime Minister of Spain during the reign of Charles IV. Since 1932, the picture has been in the Museo del Prado. The image shows two young women as they thread their respective spinning wheels in a semi-darkened room, illuminated by a large window which opens from the left. At the back, in the dark, one can discern uncertain faces of old women. The uncertainty of these women doesn’t reveal whether or not they are factor workers or representations of the tapestry or canvas.

Asmodea or Fantastic Vision are names given to a fresco painting likely completed between 1820–1823 by the Spanish artist Francisco Goya. It shows two flying figures hovering over a landscape dominated by a large tabled mountain. Asmodea is one of Goya's 14 Black Paintings—his last major series—which, in mental and physical despair, he painted at the end of his life directly onto the walls of his house, the Quinta del Sordo, outside Madrid.

Assault of Thieves is an oil painting made by Francisco de Goya between 1793 and 1794. It is part of a private collection owned by Juan Abelló.

The Bewitched Man is a painting completed c. 1798 by Francisco José de Goya y Lucientes. It is an oil painting on canvas and depicts a scene from a play by Antonio de Zamora called The man bewitched by force. The painting shows the protagonist, Don Claudio, who believes he is bewitched and that his life depends on keeping a lamp alight.

The Black Duchess is a 1797 oil-on-canvas painting by Spanish painter Francisco Goya. The Duchess in the painting is María Cayetana de Silva, 13th Duchess of Alba, then 35 years old. It is a companion piece to the more chaste The White Duchess, completed two years earlier. In this work, de Silva is dressed in low cut Maja clothing. She probably agreed to this depiction in that it might show her as a "woman of the people".

The Black Paintings is the name given to a group of fourteen paintings by Francisco Goya from the later years of his life, likely between 1819 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity. In 1819, at the age of 72, Goya moved into a two-story house outside Madrid that was called Quinta del Sordo. Although the house had been named after the previous owner, who was deaf, Goya too was nearly deaf at the time as a result of a fever he had suffered when he was 46. The paintings originally were painted as murals on the walls of the house, later being "hacked off" the walls and attached to canvas. They are now in the Museo del Prado in Madrid.

The Boar Hunt is a painting of 1775 by Francisco Goya and the earliest surviving tapestry cartoon by the artist. It depicts men with dogs and boar spears killing a boar.

Bullfight is an 1824 oil painting by Goya owned since 1992 by the J. Paul Getty Museum. When the museum bought the painting at auction in 1992, it shattered the artist's previous auction record. This piece shows in color, with precise detail, Goya’s favorite form of entertainment: the controversial contest of bullfighting.

The Burial of the Sardine is an oil-on-panel painting by Spanish artist Francisco Goya, usually dated to the 1810s. The title is posthumous, referring to the culminating event of a three-day carnival in Madrid ending on Ash Wednesday. Masked and disguised revellers are seen dancing their way to the banks of the Manzanares, where a ceremonial sardine will be buried. Goya does not illustrate the fish in the painting, nor the large doll made of straw, called a pelele, from which it hung; the centrepiece is the darkly grinning "King of the Carnival".

Children in a Chariot is a 1779 painting by Francisco de Goya. It is part of the third series of cartoons he produced for tapestries at the Royal Palace of El Pardo; the tapestry in question was to be positioned over a door. The painting is in the Toledo Museum of Art.

The Consecration of Aloysius Gonzaga as patron saint of youth is a c.1763 painting attributed to Francisco de Goya and now owned by the town of Jaraba but stored in the Saragossa Museum in Saragossa.

The Forge is a c. 1817 painting by Francisco Goya (1746–1828), today housed in the Frick Collection in New York City. The large oil on canvas represents three blacksmiths toiling over an anvil, and has been described by the art historian Fred Licht as "undoubtedly the most complete statement of Goya's late style."

The Frescoes in the Cartuja de Aula Dei (1774) are a cycle of frescoes or mural paintings on the Life of the Virgin by Francisco de Goya, realised in secco, in the church of the Charterhouse of Aula Dei near Peñaflor de Gállego on the outskirts of Zaragoza, Aragon, Spain.

The Holy Family with Saint Joachim and Saint Anne Before the Eternal Glory or The Three Generations is a 1769 painting by Francisco Goya. It is now in the Marquis de las Palmas collection in Jerez de la Frontera. It shows the Holy Family, with the Virgin Mary's parents saint Anne and saint Joachim and God the Father and the Holy Spirit.

The Inquisition Tribunal, also known as The Court of the Inquisition or The Inquisition Scene, is an 18x29 inch oil-on-panel painting produced by the Spanish artist Francisco Goya between 1812 and 1819. The painting belongs to a series which also includes The Bullfight, The Madhouse and A Procession of Flagellants, all reflecting customs which liberals objected to and wished were abandoned, but their reform was opposed by the absolutist policy of Ferdinand VII of Spain.

The Junta of the Philippines, or Sessions of the Junta of the Royal Company of the Philippines is an oil-on-canvas painting, c. 1815, by the Spanish artist Francisco Goya. The work is the largest Goya produced. It was commissioned that year to commemorate the March 30th annual meeting of the Royal Company of the Philippines attended by 51 shareholders and members during a period when Goya was disillusioned by the formerly exiled Ferdinand VII's return to the Spanish crown, which moved away from enlightenment and ended the hopes of Spanish liberals for a more progressive Spain.

The Knifegrinder is an 1808-1812 easel painting by Francisco de Goya, which is now in Budapest.

This is a complete list of Francisco Goya's 63 large tapestry cartoons painted on commission for Charles III of Spain and later Charles IV of Spain between 1775 and 1791 to hang in the San Lorenzo de El Escorial and El Pardo palaces. The word "cartoon" is derived from the Italian cartone, which describes a large sheet of paper used in preparation for a later painting or tapestry. Goya's were executed on canvas which was then woven into wool tapestry to a large mural scale. While many of the large finished works are today in the Prado Museum, the original sketches were sold as works in their own right.

The Madhouse or Asylum is an oil on panel painting by Francisco Goya. He produced it between 1812 and 1819 based on a scene he had witnessed at the then-renowned Zaragoza mental asylum. It depicts a mental asylum and the inhabitants in various states of madness. The creation came after a tumultuous period of Goya's life in which he suffered from serious illness and experienced hardships within his family.

Majas on a Balcony is an oil painting by Francisco Goya, completed between 1808 and 1814, while Spain was engaged in the state of conflict after the invasion of Napoleon's French forces. The painting in the collection of Edmond de Rothschild in Switzerland is thought to be the original. Another version at the Metropolitan Museum of Art in New York City is thought to be a copy. A further copy, attributed to Leonardo Alenza, is in the Pezzoli collection in Paris.

The Greasy Pole is a painting by Francisco de Goya.

Men Reading or The Reading or Politicians are names given to a fresco painting likely completed between 1820–1823 by the Spanish artist Francisco Goya. It is one of Goya's 14 Black Paintings painted late in his life when, living alone in physical pain, spiritual torment and disillusionment with the political direction of Spain, he painted 14 bleak, agonised frescoes onto the walls of the Quinta del Sordo, the house he was living in alone outside Madrid.

Prison Interior is an oil on canvas painting completed by the Spanish artist Francisco Goya (1746–1828) between 1793-94. The painting is bathed in a dim, cold light which gives it look feeling of purgatory.

A Procession of Flagellants is an oil-on-panel painting produced by Francisco de Goya between 1812 and 1819. In the foreground is a procession of Roman Catholic men dressed in white, wearing pointed hats and whipping their bared backs in penitence. Their backs are bleeding and they pull over-life-size statues of Nuestra Señora dela Soledad, the Ecce Homo and the Crucifixion of Christ. Other devotees, who are kneeling and wearing black hoods, line the route. On the right a man is impaled and all are carrying banners, crosses and lamps.

The Rape of Europa is a 1772 painting created by Spanish romantic painter and printmaker Francisco José de Goya y Lucientes (1746–1828) depicting Europa's abduction by the Greek god Zeus in the form of a bull. The classical theme from Greek mythology has also been painted by numerous Old Masters.

Still Life of a Lamb's Head and Flanks or A Butcher's Counter is an 1808–1812 still life oil painting by Francisco Goya, which has been in the collection of the Louvre since 1909.

The Threshing Floor is an oil sketch by Francisco Goya. He painted it in the 1780s as a small-scale sketch for a tapestry cartoon entitled Summer, part of a set of designs for tapestries for the Royal Palace of El Pardo, specifically the rooms of the Prince of Asturias and his wife Maria Luisa.

Truth, Time and History is an oil on canvas painting by the Spanish artist Francisco de Goya from 1804–1808. It is exhibited at the Nationalmuseum in Stockholm.

This painting's Spanish title "La Aguadora" has various translations in English, The Water Bearer, Young Woman with a Pitcher, or the Water Carrier. It is an oil on canvas painting by Francisco de Goya, now in the Museum of Fine Arts in Budapest.

Witches' Flight, is an oil on canvas painting completed in 1798 by the Spanish painter Francisco Goya. It was part of a series of six paintings related to witchcraft acquired by the Duke and Duchess of Osuna in 1798. It has been described as "the most beautiful and powerful of Goya's Osuna witch paintings."

Witches' Sabbath is a 1798 oil on canvas by the Spanish artist Francisco Goya. Today it is held in the Museo Lázaro Galdiano, Madrid.

Yard with Lunatics is a small oil-on-tinplate painting completed by the Spanish artist Francisco Goya between 1793 and 1794. Goya said that the painting was informed by scenes of institutions he had witnessed as a youth in Zaragoza. Yard with Lunatics was painted around the time when Goya’s deafness and fear of mental illness were developing and he was increasingly complaining of his health. A contemporary diagnosis read, "the noises in his head and deafness aren’t improving, yet his vision is much better and he is back in control of his balance."