31 Buck Tick albums

97BT99 is the fourth compilation album by Buck-Tick, released on March 29, 2000. It contains various material the band released while signed to Mercury Music Entertainment. It reached number thirty-nine on the Oricon chart.

Aku no Hana is the fifth studio album by the Japanese rock band Buck-Tick. It was released on cassette and CD on February 1, 1990, through Victor Entertainment. It peaked at number one on the Oricon charts and is the group's best-selling album to date, having been certified double platinum by the RIAJ for over 500,000 copies sold. The title comes from Charles Baudelaire's volume of poetry, Les Fleurs du mal.

Arui wa Anarchy is the nineteenth studio album by Japanese rock band Buck-Tick. It was released on June 4, 2014. The album was created with a concept of surrealism and features many references to Dada, Avant-garde, the Cabaret Voltaire and others.

At the Night Side is the third live album by Buck-Tick, released on April 7, 2004. Its content was recorded at four different concerts in three different places; Hibiya Yagai Ongakudo on June 28 & 29 2003, NHK Hall on April 10, 2003 and Shibuya-AX on April 30, 2003. It reached number thirty-four on the Oricon chart.

Atom Miraiha No.9 is the twentieth studio album by Japanese rock band Buck-Tick released on September 28, 2016. It is the first album released after Lingua Sounda was made a sub-label of Victor, making it their first album since 1996's Cosmos to be released through Victor. Takeshi Ueda of AA= and The Mad Capsule Markets performs as a guest on the track "Pinoa Icchio -Odoru Atom-".

BT is the third compilation album by Buck-Tick, released on March 20, 1999. It compiles every single and B-side they released while signed to Victor Entertainment, except the live B-sides of "Die". It also includes a demo version of "Romanesque". It reached number sixteen on the Oricon chart. The album was remastered and re-released on September 5, 2007.

Catalogue 1987–1995 is the second compilation album by Buck-Tick, released on December 1, 1995. It compiles every single they released while signed to Victor Entertainment, except "Candy" which was released on May 22, 1996. It reached number eight on the Oricon chart. The album was remastered and re-released on September 5, 2007, this time including "Candy" as a bonus track.

Catalogue 2005 is the sixth compilation album by Buck-Tick, released on December 7, 2005. It is an updated, expanded edition of Catalogue 1987–1995 that was released in 1995. However, it does not contain "M・A・D", "Die" or "Mienai Mono o Miyou to Suru Gokai Subete Gokai da". It reached number fourteen on the Oricon chart.

Catalogue Ariola 00–10 is the eighth compilation album by Buck-Tick, released on March 7, 2012. It compiles all of their singles released while signed to BMG/Funhouse and Ariola Japan, from 2000's "Glamorous" to 2010's "Kuchizuke". It and Catalogue Victor→Mercury 87–99 were released on the same day in celebration of Buck-Tick's 25th anniversary.

Catalogue Victor→Mercury 87–99 is the seventh compilation album by Buck-Tick, released on March 7, 2012. It compiles all of their singles released while signed to Victor Entertainment, from 1988's "Just One More Kiss" to 1999's "Miu". It and Catalogue Ariola 00–10 were released on the same day in celebration of Buck-Tick's 25th anniversary.

Cosmos is the ninth studio album by the Japanese rock band Buck-Tick. The album was released on June 21, 1996 through Victor Entertainment. It was the group's last album released through Victor and peaked at number six on the Oricon charts. Cosmos has sold 170,000 copies. The album was digitally remastered and re-released on September 19, 2002, with two bonus tracks. It was remastered and re-released again on September 5, 2007. The song "Tight Rope" was later re-recorded as the b-side to the group's "Alice in Wonder Underground" single in 2007, and "Sane" was re-recorded in 2012 for their "Elise no Tame ni" single.

Darker Than Darkness -Style 93- is the seventh studio album by the Japanese rock band Buck-Tick. It was released on June 23, 1993 through Victor Entertainment. The album peaked at number two on the Oricon chart, became a certified gold seller by July 1993, and subsequently sold 210,000 copies. Darker Than Darkness -Style 93- was digitally remastered and re-released on September 19, 2002, with two bonus tracks. It was remastered and re-released again on September 5, 2007. "Dress" was remixed and used as the opening theme for the anime Trinity Blood (2005), this version was also released as a single. The album was named one of the top albums from 1989-1998 in a 2004 issue of the music magazine Band Yarouze.

Hurry Up Mode is the debut studio album by the Japanese rock band Buck-Tick. It was released on both vinyl and CD on April 4, 1987 through Taiyo Records with the catalog number LEO 009. The CD version had two bonus tracks, "Vacuum Dream" and "No-No-Boy". It was later remixed and re-released in 1990, excluding the two bonus tracks. "Moonlight" was later re-recorded again for their 1992 compilation album Koroshi no Shirabe: This Is Not Greatest Hits. The album peaked at number one on the Japanese Indie Albums chart.

Hurry Up Mode is a remix album by Buck-Tick, released on February 2, 1990. It is composed of different versions of every song on their 1987 debut album Hurry Up Mode, except the two CD-exclusive bonus tracks. It reached number one on the Oricon chart. The album was digitally remastered and re-released on February 19, 2002, with two different bonus tracks. It was remastered and re-released again on September 5, 2007. "Moon Light" was later re-recorded once again for their 1992 compilation album Koroshi no Shirabe This Is Not Greatest Hits.

Juusankai wa Gekkou is the fourteenth album by Japanese rock band Buck-Tick, released on April 5, 2005.

Koroshi no Shirabe: This Is Not Greatest Hits is the first compilation album released by the Japanese rock band Buck-Tick. It was released on cassette and CD on March 21, 1992 through Victor Entertainment. All of the tracks on the compilation were re-recorded and contain different musical arrangements, because of this some argue that it is a studio or remix album. The album was digitally remastered and re-released on September 19, 2002, with a bonus track. It was remastered and re-released again on September 5, 2007. Koroshi no Shirabe: This Is Not Greatest Hits peaked at number one on the Oricon charts and has sold 340,000 copies worldwide.

Kurutta Taiyou is the sixth studio album by the Japanese rock band Buck-Tick. It was released on cassette and CD on February 21, 1991 through Victor Entertainment. The album was digitally remastered and re-released on September 19, 2002, with two bonus tracks. It was remastered and re-released again on September 5, 2007. "Speed", "M・A・D" and "Jupiter" were later re-recorded for the group's compilation album Koroshi no Shirabe: This Is Not Greatest Hits (1992). The album peaked at number two on the Oricon charts and has sold 320,000 copies. It was named number 40 on Bounce's 2009 list of 54 Standard Japanese Rock Albums.

Kyokutou I Love You is the 12th album by Buck-Tick, released on March 6, 2002. It reached number twelve on the Oricon chart. "21st Cherry Boy" contains some lyrics from T.Rex's "20th Century Boy", which the song's title is clearly an homage to.

Memento Mori is the sixteenth album by Japanese rock band Buck-Tick, released on February 18, 2009. The limited edition came with a DVD of the making of the album. It reached number seven on the Oricon chart.

Mona Lisa Overdrive is the 13th album by Buck-Tick, released on February 13, 2003. The album is named after the 1989 novel Mona Lisa Overdrive by William Gibson. It reached number seven on the Oricon chart.

One Life, One Death is the 11th album by Buck-Tick and their first on BMG/Funhouse, released on September 20, 2000. The title comes from lyrics to "Cyborg Dolly: Sora-mimi: Phantom", which also mentions cloning sheep and is named after the famous Dolly. It reached number eleven on the Oricon chart.

Razzle Dazzle is the seventeenth album by Japanese rock band Buck-Tick, released on October 13, 2010. Graphic artist Aquirax Uno provided the illustrations for the album's cover. The limited edition came with a DVD of music videos and an interview. It reached number six on both the Oricon chart and Billboard Japan.

Romanesque is the debut extended play released by the Japanese rock band Buck-Tick. It was released on 12-inch vinyl, cassette and 8cm CD on March 21, 1988 through Victor Entertainment. The extended play peaked at number twenty on the Oricon charts and has sold 40,000 copies worldwide.

Seventh Heaven is the third studio album by the Japanese rock band Buck-Tick. It was released on vinyl, cassette and CD on June 21, 1988 through Victor Entertainment, and has been certified gold by the RIAJ for sales over 100,000 copies. The album was digitally remastered and re-released on September 19, 2002, with two bonus tracks. It was remastered and re-released again on September 5, 2007. The lyrics for "Physical Neurose" mention Gregor Samsa, the main character of Franz Kafka's The Metamorphosis. "...In Heaven...", "Oriental Love Story" and "Victims of Love" were later re-recorded for the group's compilation album Koroshi no Shirabe: This Is Not Greatest Hits (1992). Seventh Heaven peaked at number three on the Oricon charts and has sold 110,000 copies.

Sexual XXXXX! is the second studio album by the Japanese rock band Buck-Tick. It was the group's major label debut and was released on vinyl, cassette and CD on November 21, 1987 through on Victor Entertainment. The album was digitally remastered and re-released on September 19, 2002 with a different cover. Sexual XXXXX! was remastered and re-released again on September 5, 2007. The songs "Do the I Love You" and "Hyper Love" were later re-recorded for the band's compilation album Koroshi no Shirabe: This Is Not Greatest Hits (1992). "My Eyes & Your Eyes" was also re-recorded for the b-side to their "Rendezvous" single in 2007. At the time of its release, the album peaked at number 33 on the Oricon charts and as of 2011 has sold 40,000 copies.

Sexy Stream Liner is the tenth album by Buck-Tick, their first on Mercury Music Entertainment, released on December 10, 1997. It reached number four on the Oricon chart and sold 100,000 copies.

Sweet Strange Live Disc is the first live album by Buck-Tick, released on August 12, 1998. The songs were all recorded at the Nihon Budokan on either 8 or 9 May 1998. It reached number seventeen on the Oricon chart.

Symphonic Buck-Tick in Berlin is an orchestral arrangement album by the Japanese rock band Buck-Tick. It was released on July 21, 1990 through Victor Entertainment. It is composed of rearrangements of Buck-Tick songs by several different composers, all performed by the Berlin Chamber Orchestra.

Taboo is the fourth studio album by the Japanese rock band Buck-Tick. It was released on cassette, CD and as a two-record vinyl set on January 18, 1989 through Victor Entertainment. Taboo was digitally remastered and re-released on September 19, 2002, with two bonus tracks. It was remastered and re-released again on September 5, 2007. "Angelic Conversation" was re-recorded as the b-side to the group's single "M・A・D" in 1991. "Just One More Kiss", "Iconoclasm" and "Taboo" were later re-recorded for the compilation album Koroshi no Shirabe: This Is Not Greatest Hits (1992). "Iconoclasm" was covered by J for the Buck-Tick tribute album, Parade -Respective Tracks of Buck-Tick- (2005). Taboo peaked at number one on the Oricon charts, selling 320,000 copies.

Tenshi no Revolver is the fifteenth studio album by Japanese rock band Buck-Tick. It was released on September 19, 2007 through BMG Records. The limited edition came with a DVD of the music videos for the singles "Rendezvous" and "Alice in Wonder Underground". Tenshi no Revolver peaked at number five on the Oricon chart and has sold 30,000 copies worldwide. For the album Buck-Tick went for a "band sound," the sound of an ordinary straight rock band.

Yume Miru Uchuu is the 18th studio album by Japanese rock band Buck-Tick, released on September 19, 2012. It is their first on their own record label Lingua Sounda, which was founded the previous year. The album reached the number 14 position on the Oricon chart and number 12 on Billboard Japan.