WThe Porto San Giorgio Altarpiece or Porto San Giorgio Polytpych was a 1470 multi-panel tempera and gold on panel altarpiece by Carlo Crivelli. Stylistically similar to Crivelli's Massa Fermana Altarpiece, the work was a fundamental step in his evolution away from the Paduan Renaissance towards a more delicate and realist style.
WPietà or Dead Christ Supported by Angels is a tempera on panel painting by Giovanni Bellini, now in the city museum of Rimini. It is dated to around 1470, making it one of his early mature works, around the same time as another of his Pietà (Brera).
WPietà or The Dead Christ Supported by the Virgin Mary and St John the Evangelist is a tempera on panel painting by Giovanni Bellini, now in the Pinacoteca di Brera in Milan.
WDead Christ Supported by Two Angels is a tempera on panel painting by Giovanni Bellini, now in the Gemäldegalerie, Berlin. It is dated to 1465–1470, as shown by similarities to his 1464 San Vincenzo Ferrer Polyptych, an early mature work.
WThe Diptych of an elderly couple is a pair of bust-length wedding portraits by Hans Memling, which were formerly attached with pegs and were split some time before they were sold separately in 1894. One is in the collection of the Gemäldegalerie and the other is in the collection of the Louvre. When viewed side-by-side the landscape background joins up to form a whole.
WFaith is a 1470 oil on panel painting by Piero del Pollaiolo, now in the Uffizi in Florence.
WThe Fortitude is a painting by the Italian Renaissance master Sandro Botticelli, finished in 1470. Housed in the Galleria degli Uffizi, in Florence, Italy, Fortitude was the first recorded masterpiece by Botticelli.
WHercules and Deianira is a c.1470 oil painting by Antonio del Pollaiolo, originally on panel but later transferred to canvas. It shows the rape of Deianira by the centaur Nessus, with her husband Heracles drawing a bow at the right to shoot Nessus. It is now in the Yale University Art Gallery in New Haven.
WHope is a 1470 oil on panel painting by Piero del Pollaiolo, now in the Uffizi in Florence.
WJustice is a 1470 oil on panel painting by Piero del Pollaiolo, now in the Uffizi in Florence.
WThe Lehman Madonna is a c.1470 tempera on panel painting of the Madonna and Child by the Venetian painter Giovanni Bellini.
WThe Madonna with Child by Renaissance artist Carlo Crivelli is a Madonna painting dating to 1470.
WThe Madonna with Sleeping Child is a glue-tempera on canvas painting measuring 43 cm by 32 cm. It was painted around 1465-1470 by Andrea Mantegna and is now in the Gemäldegalerie in Berlin.
WThe Nativity Triptych is a 1464–1470 tempera on panel altarpiece by Giovanni Bellini and others. Its central panel of the Nativity measures 127 by 48 cm, its lunette of the Holy Trinity flanked by Augustine and Dominic 59 by 170 cm and its side panels of Francis of Assisi and Victor 103 by 45 cm. It is now in the Gallerie dell'Accademia in Venice.
WPenitent Saint Jerome is a painting in oil and tempera on panel by Cosmè Tura, probably of around 1470, which has been in the National Gallery in London since 1867.
WThe Porto San Giorgio Altarpiece or Porto San Giorgio Polytpych was a 1470 multi-panel tempera and gold on panel altarpiece by Carlo Crivelli. Stylistically similar to Crivelli's Massa Fermana Altarpiece, the work was a fundamental step in his evolution away from the Paduan Renaissance towards a more delicate and realist style.
WThe Porto San Giorgio Altarpiece or Porto San Giorgio Polytpych was a 1470 multi-panel tempera and gold on panel altarpiece by Carlo Crivelli. Stylistically similar to Crivelli's Massa Fermana Altarpiece, the work was a fundamental step in his evolution away from the Paduan Renaissance towards a more delicate and realist style.
WPrudence is a 1470 oil on panel painting by Piero del Pollaiolo, now in the Uffizi in Florence.
WThe Porto San Giorgio Altarpiece or Porto San Giorgio Polytpych was a 1470 multi-panel tempera and gold on panel altarpiece by Carlo Crivelli. Stylistically similar to Crivelli's Massa Fermana Altarpiece, the work was a fundamental step in his evolution away from the Paduan Renaissance towards a more delicate and realist style.
WThe Porto San Giorgio Altarpiece or Porto San Giorgio Polytpych was a 1470 multi-panel tempera and gold on panel altarpiece by Carlo Crivelli. Stylistically similar to Crivelli's Massa Fermana Altarpiece, the work was a fundamental step in his evolution away from the Paduan Renaissance towards a more delicate and realist style.
WThe Porto San Giorgio Altarpiece or Porto San Giorgio Polytpych was a 1470 multi-panel tempera and gold on panel altarpiece by Carlo Crivelli. Stylistically similar to Crivelli's Massa Fermana Altarpiece, the work was a fundamental step in his evolution away from the Paduan Renaissance towards a more delicate and realist style.
WSaint George and the Dragon is a painting by Paolo Uccello dating from around 1470. It is on display in the National Gallery, London, United Kingdom. It was formerly housed in the Palais Lanckoroński in Vienna, belonging to Count Karol Lanckoroński and sold by his son and heir Anton in 1959 through Mr. Farago. The first mention of it being there is 1898.
WThe Porto San Giorgio Altarpiece or Porto San Giorgio Polytpych was a 1470 multi-panel tempera and gold on panel altarpiece by Carlo Crivelli. Stylistically similar to Crivelli's Massa Fermana Altarpiece, the work was a fundamental step in his evolution away from the Paduan Renaissance towards a more delicate and realist style.
WThe Saint Vincent Ferrer Altarpiece is a tempera on panel painting by Giovanni Bellini, dating to 1464–1470 and still in on the altar dedicated to Saint Vincent Ferrer at Santi Giovanni e Paolo, Venice, for which it was originally commissioned. Ferrer was a Spanish Dominican who had only been canonised in 1455 and his order was continuing to promote his cult.
WPalazzo Schifanoia is a Renaissance palace in Ferrara, Emilia-Romagna (Italy) built for the Este family. The name "Schifanoia" is thought to originate from "schivar la noia" meaning literally to "escape from boredom" which describes accurately the original intention of the palazzo and the other villas in close proximity where the Este court relaxed. The highlights of its decorations are the allegorical frescoes with details in tempera by or after Francesco del Cossa and Cosmè Tura, executed ca 1469–70, a unique survival of their time.
WThe San Lorenzo Triptych is a tempera on panel altarpiece by Giovanni Bellini and others. Its central panel of Saint Lawrence measures 127 by 48 cm, its lunette of the Madonna and Child 59 by 170 cm and its side panels of John the Baptist and Antony of Padua 103 by 45 cm each. It is now in the Gallerie dell'Accademia in Venice.
WThe San Sebastiano Triptych is a 1464–1470 tempera on panel altarpiece by Giovanni Bellini and others. Its central panel of saint Sebastian measures 127 by 48 cm, its lunette of God the Father and the Annunciation 59 by 170 cm and its side panels of John the Baptist and Antony the Great 103 by 45 cm. It is now in the Gallerie dell'Accademia in Venice.
WTemperance is a 1470 oil on panel painting by Piero del Pollaiolo, now in the Uffizi in Florence. It represents Temperance, one of the seven virtues of the Catholic Church.
WThe Triptych of the Madonna is a 1464–1470 tempera on panel altarpiece by Giovanni Bellini and others. Its central panel of a standing Madonna and Child measures 127 by 48 cm, its lunette of the Man of Sorrows flanked by angels 59 by 170 cm and its side panels of Jerome and Louis of Toulouse 103 by 45 cm. It is now in the Gallerie dell'Accademia in Venice.