28 Space rock albums

After the Disco is the second studio album by American alternative rock band Broken Bells. Recorded with the seventeen-piece Angel City String Orchestra and a four-piece choir, the album was released by Columbia Records on January 31, 2014. The album follows the band's 2013 single, "Holding On for Life", which features as the third track on the album. After the Disco was written by band members James Mercer and Brian Burton, and produced by Burton.

All Aboard the Skylark is the thirty-second album by space rock band Hawkwind, released in 2019.

And the Glass Handed Kites is the fourth studio album by Danish band Mew, released in the United Kingdom on 19 September 2005, and in the United States on 25 July 2006.

Angels Egg is the fourth studio album by the progressive rock band Gong, released on Virgin Records in December 1973.

Banana Moon is the debut solo album by Australian singer/songwriter/guitarist and Gong leader Daevid Allen, released in July 1971 on the French BYG Actuel label. The album is sometimes referred to as Bananamoon and it was also reissued as a Gong album.

Blue Cathedral is the third studio album by Comets on Fire. It was released in 2004 on the Sub Pop label.

Les Contes du Singe Fou is a progressive rock album by Clearlight, released in 1977 on Isadora Records in France.

Dream to Make Believe is the debut studio album by American rock band Armor for Sleep. Following on from his previous band Random Task, Ben Jorgensen taught himself guitar and later recruited additional members to form Armor for Sleep. With some buzz, and the addition of manager Gabe Saporta, the band recorded their debut album with Ariel Rechtshaid at two studios in California: El Barrio and Standard Electrical. Dream to Make Believe mixed the space rock of Hum with the emo pop of the Get Up Kids; it tackled the topics of dreaming, time-travel and space.

Einsjäger und Siebenjäger is the fifth album by Popol Vuh. It was originally released in 1974 on Kosmische Musik. In 2004 SPV re-released the album with two bonus tracks. "Wo bist Du?" was originally released on Popol Vuh's album Die Nacht der Seele as "Wo bist Du, der Du überwunden hast?".

Eternal Rituals for the Accretion of Light is the third full-length studio album from American art rock band Junius. The record was released in CD, limited edition Vinyl, and digital download format through Prosthetic Records on March 3, 2017.

Fantastic Planet is the third studio album by American alternative rock band Failure, released on August 13, 1996. It was the last album released on Slash Records as distributed by Warner Bros. Records.

Field Recordings from the Sun is the second studio album from indie/noise rock group Comets on Fire, released in 2002 on Ba Da Bing Records.

Fish Rising is the debut solo album by English guitarist Steve Hillage, recorded and released in 1975.

Flying Teapot is the third studio album by the progressive rock band Gong, originally released by Virgin Records in May 1973. It was the second entry in the Virgin catalogue (V2002) and was released on the same day as the first, Mike Oldfield's Tubular Bells (V2001). It was re-issued later in the year, with different cover art, by BYG Actuel in France and Japan. Recorded at Virgin's Manor Studios, in Oxfordshire, England, it was produced by Giorgio Gomelsky and engineered by "Simon Sandwitch 2 aided by Tom Zen".

Forever Alien is the third studio album by British space rock band Spectrum, a project led by Peter Kember under the pseudonym Sonic Boom. It was released in August 1997 by Space Age Records. After the band's preceding EP Songs for Owsley (1996) moved them away from guitar-oriented music and towards electronic music, Forever Alien furthered this approach considerably, as Kember aimed to create a predominately electronic album that sounded organic and analogue in style. The record is dominated by vintage analogue synthesizers, including the EMS VCS 3 and EMS Synthi AKS. Kember had become fascinated by the synths as he felt they presented him with more musical possibilities than guitars.

Hologram of Baal is the eleventh album by the Australian alternative rock band The Church, released in September 1998.

Interpreter is the thirteenth solo studio album, and twentieth album overall by English rock musician Julian Cope, released by Echo Records in October 1996. Particularly inspired by Cope's involvement with the Newbury bypass protest, the record features socially and environmentally-concerned lyrics. The musician worked with numerous guest musicians, including substantial contributions from Thighpaulsandra, resulting in a sprawling album that extends the pop style of 20 Mothers (1995) while incorporating styles of glam pop, space rock, orchestral pop, with string arrangements and electronic overtones. The record is split into two separate parts, "Phase 1" and "Phase 2".

Lift Your Skinny Fists Like Antennas to Heaven is the second studio album by Canadian post-rock band Godspeed You! Black Emperor, released as a double album on 9 October 2000 on vinyl by Constellation and 8 November 2000 on CD by Kranky.

Lost Souls is the debut studio album by British indie rock band Doves, released by Heavenly Recordings on 3 April 2000. The album was recorded over a period of several years, following the dissolution of Doves' original musical incarnation as house music act Sub Sub. Lost Souls was a moderate chart success in the UK; the album peaked at number 16, while the three singles taken from the album charted in the Top 40.

Music Inspired by Lord of the Rings (Bo Hansson album)

Music Inspired by Lord of the Rings is an instrumental progressive rock album by Swedish musician Bo Hansson. As its title suggests, it is a concept album based on author J. R. R. Tolkien's high fantasy novel, The Lord of the Rings. The album was originally issued in Sweden in late 1970, under the Swedish title of Sagan om ringen, and was subsequently re-released internationally as Music Inspired by Lord of the Rings in September 1972.

The Owl and the Tree is the 7th studio album of Mother Gong and was released in 1989.

Shapeshifter is the ninth studio album released under the name Gong and the sixth album by the Daevid Allen version of the group. It was released in 1992. It is the first proper album from Daevid Allen's Gong since You from 1974. It is the first album from the original group without founding member Gilli Smyth. Didier Malherbe and Allen are the only two returning performers from the previous album. Pip Pyle, who performed on Continental Circus and Camembert Electrique also returns.

Star Wars is the ninth studio album by American alternative rock group Wilco. It was self-released for free on July 16, 2015, through wilcoworld.net. It is the second Wilco album that was released on their own label dBpm. A CD version of the album was released on August 21 and a vinyl version was released on October 13. The album emerged from Wilco recording sessions at The Loft that also resulted in their 2016 album Schmilco.

UFO 1 is the debut album by British rock band UFO. It was first released in the UK by Beacon Records in October 1970. The first US release was on Rare Earth Records in April 1971. Neither of these releases charted; however, the album did become a success in Germany and Japan.

UFO 2: Flying is the second album by UFO released in 1971 on the Beacon label; it was issued on CD in 1999 on Repertoire Records.

Yoshimi Battles the Pink Robots is the tenth studio album by American rock band the Flaming Lips, released on July 16, 2002 by Warner Bros. Records. The album was well-received critically and commercially, helping the band break into popularity, and was adapted into a musical in 2012.

You is the fifth studio album by the progressive rock band Gong, released by Virgin Records in October 1974. It is the last album by Daevid Allen's iteration of the group until 1992's Shapeshifter. Recorded at Virgin's Manor Studios in Oxfordshire, England, side 1 was mixed at Pye Studios, Marble Arch, London, while side 2 was mixed at The Manor. It was produced by Simon Heyworth and Gong "under the universal influence of C.O.I.T., the Compagnie d'Opera Invisible de Thibet", and also engineered by Heyworth.

Z is the fourth studio album by psychedelic rock band My Morning Jacket. This collection features a much spacier and more polished sound than previous releases, making heavy use of synthesizers throughout and incorporating reggae and dub influences. The heavy reverb that was a defining characteristic of the band's prior recordings is largely absent. The songs on the album are more focused and shorter compared to the band's previous albums.