27 1625 paintings

Atalanta and Hippomenes is a 1620-1625 oil on canvas painting by Guido Reni, now in the National Museum of Capodimonte in Naples. The work was a second version of a 1618-1619 version of the subject by the artist which is now in the Prado Museum.

Caritas is an oil on canvas painting by Flemish painter Gaspar de Crayer. The painting is kept in the Museum of Prado in Madrid.

Crucifixion with the Virgin and St John by Hendrick ter Brugghen is an oil painting, now in the Metropolitan Museum of Art in New York City. It was probably painted c. 1625 as an altarpiece for a Catholic schuilkerk, a "hidden church" or "church in the attic", in the Calvinist Dutch United Provinces, probably Utrecht. When discovered in a bombed out church in South Hackney, London in 1956, it was unknown, but by the time it appeared in Sotheby's salesroom in November of that year it was recognized as an important example of Utrecht Caravaggism. It was acquired by the museum in the sale.

Portrait of Cunera van Baersdorp is a painting by the Dutch Golden Age painter Frans Hals, painted in 1625 and now in a private collection. It is considered a pendant portrait to the Portrait of a Man Standing, now identified as Cunera's husband Michiel de Wael.

Elijah Receiving Bread from the Widow of Zarephath is a painting by the Italian Baroque painter Giovanni Lanfranco. It is housed in the J. Paul Getty Museum located in Los Angeles, California.

The Four Evangelists is an oil on canvas painting by the Flemish Baroque artist Jacob Jordaens, completed in 1625. The painting is 133 by 118 centimeters. and is in the Musée du Louvre, Paris, France.

Laughing Boy is a circular oil-on-panel painting by the Dutch artist Frans Hals. It belongs to the tronie genre and was painted around 1625. It is in the collection of the Mauritshuis.

The "lost portrait" of George Villiers, 1st Duke of Buckingham is a portrait, painted around 1625 by Flemish artist Peter Paul Rubens, of George Villiers, 1st Duke of Buckingham.

Mary Magdalene as Melancholy is a 1622–1625 painting by Artemisia Gentileschi, showing Mary Magdalene as a personification of Melancholia. It is now in the Museo Soumaya in Mexico City.

The Matchmaker or The Procuress is a 1625 oil on canvas painting by Gerard van Honthorst, now in the Centraal Museum in Utrecht, for which it was bought in 1951 by the Vereniging Rembrandt.

Moses and the Messengers from Canaan is a painting by the Italian Baroque painter Giovanni Lanfranco. It is housed in the J. Paul Getty Museum located in Los Angeles, California.

The Portrait of Infanta Isabella Clara Eugenia is a painting by Rubens of Isabella Clara Eugenia. It is dated to 1625 and shows her in the habit of the Poor Clares, which she assumed on 22 October 1621 after the death of her husband Archduke Albert of Austria. She visited the painter's studio while on her way back from Breda in 1625 to see the painting begun, as a master copy from which several others could be drawn. The master copy is now in the Galleria Palatina in Florence, having been traded in the past for a portrait of the same subject by Anthony van Dyck. Two other copies are known in private collections, while a third is in the Norton Simon Museum in Pasadena.

Saint Agatha's Vision of Saint Peter in Prison is a c.1625 oil on canvas painting by Simon Vouet, showing the imprisoned Agatha of Sicily having a vision of a visit from Peter the Apostle, who heals her wounds. It is now in the Galleria Regionale del Palazzo Abatellis in Palermo, which it entered from the former Jesuit college in Cassaro.

Saint Rosalia is a c.1625 oil on canvas painting by Anthony van Dyck. Originally owned by Giovan Francesco Serra di Cassano, it was bought by Philip IV of Spain via his Viceroy of Naples Gaspar de Bracamonte in 1664 and is now in the Museo del Prado in Madrid

Saint Rosalia Crowned by Angels is a c.1625 oil on canvas painting by Anthony van Dyck, one of five surviving works showing the saint which he produced whilst he was quarantined in Palermo, Sicily due to a plague. It is now in the Menil Collection in Houston, Texas, which bought it in 1968. It was loaned from there in 2011-2012 to the Dulwich Picture Gallery in London.

Saint Rosalia Crowned by Angels is a c.1625 oil on canvas painting by Anthony van Dyck, one of five surviving works showing the saint which he produced whilst he was quarantined in Palermo, Sicily due to a plague. It is now in the Wellington Collection at Apsley House in London.

Saint Rosalia Interceding for the City of Palermo is an oil on canvas painting of Saint Rosalia by Anthony van Dyck, now in the Museo de Arte de Ponce in Puerto Rico, which acquired it at auction at Sotheby's in London on 7 December 1960.. Previously dated to 1629, it has now been re-dated to 1624-1625 whilst the artist was quarantined in Palermo, Sicily.

Saint Sebastian is a c.1625 oil on canvas painting of saint Sebastian by Guido Reni. It was previously in the private collection of the Dukes of Hamilton, from which it was sold to its present owner, Auckland Art Gallery in New Zealand.

Saint Sebastian Tended by Irene is an oil-on-canvas painting by Hendrick ter Brugghen dated to 1625. Now in the Allen Memorial Art Museum of Oberlin, Ohio, the piece depicts the Roman Catholic subject of Saint Sebastian Tended by Saint Irene, after Irene of Rome and her maid rescued him following his attempted martyrdom by the Roman authorities. An exemplary piece of the Italianate Baroque tendency in Dutch Golden Age painting, the painting employs dramatic uses of light and skillful chiaroscuro to depict its religious subject, evidence of influence from Caravaggio and Ter Brugghen's fellow Utrecht Caravaggisti.

Smiling Girl, a Courtesan, Holding an Obscene Image is a 1625 oil on canvas painting by Gerard van Honthorst, now in the Saint Louis Art Museum

St. Luke is a painting by the Dutch Golden Age painter Frans Hals, painted in 1625 and now in the Odessa Museum of Western and Eastern Art.

St. Matthew is a painting by the Dutch Golden Age painter Frans Hals, painted in 1625 and now in the Odessa Museum of Western and Eastern Art, Odessa.

The Stoning of Saint Stephen is the first signed painting by Dutch artist Rembrandt, painted in 1625 at the age of 19. It is currently kept in the Musée des Beaux-Arts de Lyon.

The Triumph of the Church or The Triumph of the Church over Fury, Discord and Hatred is a c.1625 painting by Peter Paul Rubens, now in the Museo del Prado in Madrid.

The Virgin Presenting Saint Rosalia to the Trinity is an oil on canvas painting, now in the Alte Pinakothek in Munich. Its poor condition makes attribution difficult, but it is usually attributed to Anthony van Dyck in his Sicilian period (1624-1625)

Willem van Heythuysen posing with a sword is a painting by the Dutch Golden Age painter Frans Hals, painted in 1625 and now in the Alte Pinakothek, Munich. It shows the Haarlem cloth merchant Willem van Heythuysen in a theatrical pose with a rapier.

Woman Cooking or The Cook is the modern title given to a circa 1625 oil on canvas genre painting by Bernardo Strozzi, produced in Genoa and still held in the Palazzo Rosso in the city, part of the Strada Nuova Museums. A second autograph version with various differences was in the painter's studio at his death and is now at the National Gallery of Scotland in Edinburgh.