WThe Portrait of Lucina Brembati is a painting by the Italian High Renaissance painter Lorenzo Lotto, dating to c. 1521/23. It is housed in the Accademia Carrara of Bergamo, northern Italy.
WPortrait of Brother Gregorio Belo of Vicenza is a 1547 oil on canvas painting by Lorenzo Lotto, now in the Metropolitan Museum of Art in New York. It is inscribed bottom right "F. Gregorr belo de Vicentia / eremite in Hieronimi Ordinis beati / fratri Petris de Pisis Anno / etatis eius LV, M.D.XLVII". Its subject was a Hieronymite monk and so the image's iconography draws on that of the penitent St Jerome.
WPortrait of Marsilio Cassotti and His Bride Faustina is a 1523 oil on panel painting by Lorenzo Lotto, now in the Prado Museum in Madrid. It is signed and dated "L. Lotus Pictor / 1523". It is the first known marriage portrait produced in Italy, inspired by prints from Germany and the Low Countries.
WPortrait of Febo da Brescia is a 1543-1544 oil on canvas painting by Lorenzo Lotto. It is identified with the commission mentioned in the artist's account books in April 1543 from Febo Bettignoli da Brescia, a nobleman from Treviso, for paintings of himself and his wife, which were delivered in 1544. After Febo's death in 1547 the painting passed to his wife's heirs and remained with them until her family died out in the 19th century. In 1859, via Francesco Hayez the painter, the Pinacoteca di Brera acquired the paintings of Febo and his wife - they still hang there.
WPortrait of Laura da Pola is a 1543-1544 oil on canvas painting by Lorenzo Lotto. Its subject was the wife of Febo Bettignoli da Brescia, a nobleman from Treviso, who commissioned this work and its pair from Lotto in April 1543, as recorded in the painter's account books. They were delivered in 1544 and after Febo's death in 1547 remained with his wife's descendants until her family died out in the 19th century. Both works were acquired in 1859 by the Pinacoteca di Brera, where they still hang
WThe Portrait of Bishop Bernardo de' Rossi is a painting by the Italian High Renaissance painter Lorenzo Lotto, dating to 1505. It is housed in the National Museum of Capodimonte of Naples, southern Italy.
WPortrait of Giovanni Agostino della Torre and his son Niccolò is a 1515 oil on canvas painting by Lorenzo Lotto and now in the National Gallery, London. It is signed and dated "L.[aurentius] Lotus P.[inxit] / 1515". Its subjects have been identified via inscriptions scattered throughout the painting. They both practised medicine and pharmacy in Bergamo, selling iron vitriol from a shop on Piazza Vecchia - it was probably the first portrait Lotto produced in that city.
WPortrait of Giovanni della Volta with his Wife and Children is a 1515 portrait by Lorenzo Lotto, now in the National Gallery, London, to which it was left by Miss Sarah Solly in 1879.
WPortrait of a Gentleman is a c.1535 oil on canvas painting by Lorenzo Lotto, an Italian painter, draughtsman, and illustrator, now in the Galleria Borghese in Rome. It first appears in the written record in 1790, when it is mentioned in an inventory of the Galleria Borghese.
WThe Portrait of a Gentleman with a Lion Paw is a painting by the Italian High Renaissance painter Lorenzo Lotto, dating c. 1527. It is housed in the Kunsthistorisches Museum, Vienna, Austria.
WThe Triple Portrait of a Goldsmith is a c.1530 oil on canvas painting by Lorenzo Lotto, now held in the Kunsthistorisches Museum in Vienna. It has previously been attributed to other artists such as Titian until documentary evidence was found linking it to a painting of the same description in various collection inventories. In 1627 it was in the collection of Vincenzo II Gonzaga, who sold it to Charles I of Great Britain, upon whose execution it was auctioned to Philip IV of Spain. It eventually entered the Habsburg collections in Austria via inheritance - inventories show it has been in Vienna since at least 1733.
WPortrait of a Man is an oil on canvas painting by Lorenzo Lotto, dated to around 1545 due to its stylistic similarities to the artist's other works in the mid-1540s such as Portrait of an Old Man with Gloves (Milan). Another theory holds that the subject is Giovanni Taurini da Montepulciano, viceroy of Ancona, which would change the date to 1551, the year of Lotto's arrival in Ancona. It is now in the Pinacoteca di Brera in Milan, which it entered in 1855 as part of the Oggioni Bequest.
WThe Portrait of Andrea Odoni is a painting by the Italian High Renaissance painter Lorenzo Lotto dated 1527, now in the Royal Collection of the United Kingdom. In early 2019 it was on loan to the National Gallery for an exhibition of Lotto's portraits.
WPortrait of an Old Man with Gloves is an oil on canvas painting by Lorenzo Lotto, signed "L. Loto" and dated to around 1543 due to stylistic similarities with Portrait of Febo da Brescia, Portrait of a Thirty-Seven-Year-Old Gentleman and other works produced by the artist in the mid 1540s. Its final private owner was count Castellane Harrach of Turin, from whose collection it entered the Pinacoteca di Brera in Milan in 1859, where it still hangs.
WPortrait of a Thirty-Seven-Year-Old Gentleman is an oil on canvas portrait by Lorenzo Lotto, now in the Galleria Doria Pamphilj in Rome. It was previously interpreted as a 1517 self-portrait of the artist, but its style does not match Lotto's style of the 1510s. It is now dated to c.1543 due to stylistic similarities with works produced by the artist in the mid 1540s such as Portrait of Febo da Brescia and Portrait of an Old Man with Gloves.
WPortrait of a Woman inspired by Lucretia is a c.1533 oil on canvas portrait by Lorenzo Lotto. It is now in the National Gallery, London, which bought it in 1927.
WPortrait of a Young Man or Portrait of a Gentleman in his Study is a c.1530 painting by Lorenzo Lotto, now in the Gallerie dell'Accademia of Venice, whose collections it entered from a private collection in 1930. It is known in Italian as Giovane malato, literally The Ill Young Man - the flower with leaves is thought to be a symbol of disappointment in love or an illness, perhaps melancholy. The subject also turns his back on worldly pleasures. More so than in other works produced around the same time by the artist such as his Portrait of Andrea Odoni, it shows Lotto moving beyond the influence of Titian with preciser definition of details and contours.
WPortrait of a Young Man is a c.1526 oil on canvas painting by Lorenzo Lotto, signed "L. Lotus pict.". Its dating is based on stylistic similarities to other works produced soon after the artist's return to Venice from Bergamo. It is now in the Gemäldegalerie, Berlin.
WThe Portrait of a Young Man is a painting by the Italian Renaissance painter Lorenzo Lotto, executed around 1506 and housed in the Uffizi Gallery, Florence, Italy.
WThe Portrait of a Young Man with a Lamp is a painting by the Italian High Renaissance painter Lorenzo Lotto, dating to c. 1506. It is housed in the Kunsthistorisches Museum of Vienna, Austria.
WPortrait of a Young Man with a Book is an oil on panel painting by Lorenzo Lotto, now in the Pinacoteca del Castello Sforzesco in Milan, to which it was bequeathed in 1876 - at that point its artist was unknown. It is dated to between the end of Lotto's time in Bergamo and his early years in Venice, that is between 1524 and 1527, and more specifically to around 1526.