
Johannes Brandenberg was a Swiss painter.

Gregor Brandmüller, was a late 17th-century Swiss painter, a pupil of Charles Le Brun.

Carlo Antonio Bussi was a Swiss painter. Bussi was born in Bissone. He primarily painted church interiors. In 1682 he married Margarete, the daughter of another Swiss painter Carpoforo Tencalla. After his father-in-law's death in 1685, Bussi completed some of Tencalla's projects. Bussi died in Vöcklabruck in 1690.

Johann Rudolf Byss (1660–1738) was a Swiss painter.

Ludovico Antonio David was born at Lugano in 1648. After studying for some time at Milan, under the Cavaliere Cairo and Ercole Procaccini, he went to Bologna, where he entered the school of Carlo Cignani. He was a painter of some eminence, and gave proof of his ability in the churches and convents of Milan and of Venice. In the church of San Silvestro, in the latter city, is a picture of the Nativity, more resembling the finished style of Camillo than that of Ercole Procaccini. He also painted the portraits of many of the distinguished persons of his time.

Francesco Antonio Giorgioli (1655–1725) was a Swiss painter.

Georg Gsell was a Swiss Baroque painter, art consultant and art dealer.

Joseph Heintz the Elder was a Swiss painter, draftsman and architect.

Johann Rudolf Huber was an eminent Swiss portrait artist. Among his famous subjects were Charles III William, Margrave of Baden-Durlach, Joseph I, Holy Roman Emperor and Albrecht von Haller.

Albrecht Kauw (1621–1681) was a Swiss still-life painter, cartographer and a painter of vedute.

Conrad Meyer was a painter, engraver, and medallist of Zürich.

Felix Meyer was a Swiss painter and engraver.

Jean Petitot was a Swiss enamel painter, who spent most of his career working for the courts of France and England.

Giuseppe Antonio Petrini was a painter of the late-Baroque, active mainly in Lugano, present-day Switzerland.

Gregorius Sickinger (1558–1631) was a Swiss painter, draughtsman, and engraver.

Carpoforo Tencalla was an influential Swiss-Italian Baroque painter of canvases and frescoes. He is little studied and has come only recently to the attention of art critics. He introduced the style of 17th-century Italian painting with its mythological subjects to Central Europe, reviving the art of fresco on large surfaces.

Johann Martin Veith was a Swiss painter in the Baroque style, known for historical, Biblical and mythological scenes.

Anna Waser was a Swiss painter.

Joseph Werner, known as the Younger to distinguish him from his painter father of the same name, was a Swiss painter, known for miniatures.