WThe Resurrection of Jesus has long been central to Christian faith and Christian art, whether as a single scene or as part of a cycle of the Life of Christ. In the teachings of the traditional Christian churches, the sacraments derive their saving power from the passion and resurrection of Christ, upon which the salvation of the world entirely depends. The redemptive value of the resurrection has been expressed through Christian art, as well as being expressed in theological writings.
WResurrection of Christ is a 1475–1479 painting by Giovanni Bellini. It was produced for the Marino Zorzi chapel in the mortuary church of San Michele di Murano in Venice. It has previously been attributed to Cima da Conegliano, Previtali, Bartolomeo Veneto and Marco Basaiti. It was acquired by the Gemäldegalerie, Berlin in 1903 and a full restoration shortly afterwards confirmed its attribution to Bellini.
WResurrection is a painting by Bartolomé Bermejo conserved at the National Art Museum of Catalonia.
WThe Resurrection by Cecco del Caravaggio, the Italian Baroque painter, is the only painting known for certain to be his. It was commissioned in 1619 by Piero Guicciardini, the Tuscan ambassador to Rome. Through the use of alternate strong lights and deep shadows the chiaroscuro highlights the vividness of the dramatic scene. One of Cecco's most notable works, the painting is in the permanent collection of the Art Institute of Chicago.
WResurrection is a 1593 oil on canvas painting by Annibale Carracci, now in the Louvre in Paris, whose Cabinet des Dessins also houses a preparatory study for the work. It is also known as the Angelelli Resurrection after the Bolognese family which long owned it. It is signed and dated ANNIBAL CARRATIUS PINGEBAT. MDXCIII.
WDescent into Limbo is a 1492 tempera and gold on panel painting by Andrea Mantegna, now in the Barbara Piasecka Johnson Collection in Princeton, New Jersey. It depicts the Descent into Limbo of Jesus Christ. There are also drawings of the subject by Mantegna in the École Supérieure des Beaux-Arts in Paris, whilst Giovanni Bellini also painted the subject.
WThe Massa Fermana Altarpiece is a 1468 tempera and gold on panel by Carlo Crivelli, held in Santi Lorenzo e Silvestro church in the town of Massa Fermana. It is signed "KAROLVS CRIVELLVS VENETVS PINXIT HOC OPVS MCCCCLXVIII". It is his earliest known surviving work and is notable for dating his return to Italy.
WFlorence Charterhouse is a charterhouse, or Carthusian monastery, located in the Florence suburb of Galluzzo, in central Italy. The building is a walled complex located on Monte Acuto, at the point of confluence of the Ema and Greve rivers.
WThe Resurrection is a fresco painting by the Italian Renaissance master Piero della Francesca, painted in the 1460s in the Palazzo della Residenza in the town of Sansepolcro, Tuscany, Italy.
WThe Pieve di Sant'Andrea is an 11th-century pieve or rural church in Cercina, Tuscany, central Italy.
WThe Resurrection of Christ (1499–1502), also called The Kinnaird Resurrection, is an oil painting on wood by the Italian High Renaissance master Raphael. The work is one of the earliest known paintings by the artist, executed between 1499 and 1502. It is probably a piece of an unknown predella, though it has been suggested that the painting could be one of the remaining works of the Baronci altarpiece, Raphael's first recorded commission. The painting is now in the São Paulo Museum of Art.
WThe Resurrection of Christ is a 1611-1612 triptych painting by Peter Paul Rubens, now in the Cathedral of Our Lady in Antwerp.
WThe Resurrection of Christ, The Easter Tomb or The Triumph of Christ over Death and Sin is a c.1616 painting by Peter Paul Rubens. It entered the collection of Ferdinando de' Medici, Grand Prince of Tuscany between 1713 and 1723 and is now in the Galleria Palatina of the Palazzo Pitti in Florence.
WThe San Francesco al Prato Resurrection is a painting by the Italian Renaissance painter Pietro Perugino, dating to c. 1499. It is housed in the Pinacoteca Vaticana, Rome.
WThe Seilern Triptych, variously dated c. 1410-15 or c 1420-25 is a large oil and gold leaf on panel, fixed winged triptych altarpiece generally attributed to the Early Netherlandish painter Robert Campin. It is the earliest of two known triptychs attributed to him., although the outer wing panels paintings are lost. The work details the events of Christ's passion; with iconography associated with the liturgy of Holy Week. The panels, which should be read from left to right, detail three stations of the cycle of the Passion of Jesus; the crucifixion, the burial and the resurrection.
WLamentation over the Dead Christ is a 1502 tempera on panel painting by Luca Signorelli, painted for the church of Santa Margherita and now in the Diocesan Museum in Cortona. In the left background is the Crucifixion and in the right background the Resurrection.
WThe Three Marys at the Tomb, The Three Marys or The Pious Women at Christ's Tomb is a c.1600 oil on canvas painting by Annibale Carraci, now in the Hermitage Museum in Saint Petersburg, which acquired it in 1836.
WThe Třeboň Altarpiece, also known as Wittingau altarpiece, is one of the most important works of European Gothic panel painting. Of the original large altarpiece retable created in about 1380 by an anonymous Gothic painter called the Master of the Třeboň Altarpiece, three wings, painted on both sides, have survived. The altarpiece is one of the works that helped towards the emergence of the International Gothic style and which influenced the development of art in a broad European context. It was originally created for the Augustinian Church of St Giles in Třeboň and is now part of the permanent collection of medieval art of the National Gallery in Prague.