18 1519 paintings

Adoration of the Magi is a c.1516-1519 painting by Cesare da Sesto, produced during his stay in Messina. It was commissioned by the Congrega di San Niccolò dei Gentiluomini as the high altarpiece for that church. After the church was suppressed at the end of the 18th century, it joined the Bourbon collections and was taken to Naples, where it was displayed in the Quadreria of the Palazzo di Capodimonte and later the Real Museo in the former Palazzo degli Studi. It is now in the National Museum of Capodimonte in Naples.

The Albinea Madonna or Madonna of Albinea is a lost painting by Correggio. The best surviving copy is a 16th-century one by Antonio Leto, from the church of San Rocco in Reggio Emilia and now in the Galleria Nazionale di Parma.

Baptism of Christ is a c.1519 oil on panel painting by Parmigianino, the earliest surviving work by the artist, produced when he was only sixteen. It is now in the Gemäldegalerie in Berlin.

The Bolognini Madonna is an oil on panel painting by Antonio da Correggio.

The Portrait of a Young Woman is a painting by the Italian High Renaissance master Raphael, made between 1518 and 1519. It is in the Galleria Nazionale d'Arte Antica in Palazzo Barberini, Rome.

Marcia is a 1519 oil on canvas painting by Domenico Beccafumi, showing Marcia, wife of Cato Uticensis. It and Tanaquil originally formed part of a series of paintings of noted women from Roman antiquity.

Portrait of a Musician is an oil painting on panel by Pontormo in the Uffizi. It is dated on stylistic grounds to c. 1518–1519; the art historian Luciano Berti places it in Pontormo's youthful phase alongside his Pucci Altarpiece, Saint John the Evangelist and Michael the Archangel.

Portrait of a Young Woman is a c.1518-1519 oil on panel painting by Raphael and Giulio Romano, now in the Musée des Beaux-Arts in Strasbourg, for which it was acquired by Wilhelm von Bode, who bought it in London in 1890. It was previously recorded in London in the Acton collection. Its inventory number is 175.

The Portrait of Emperor Maximilian I is an oil painting by Albrecht Dürer, dating to 1519 and now at the Kunsthistorisches Museum of Vienna, Austria. It portrays the emperor Maximilian I.

The Portrait of Pope Leo X with two Cardinals is a painting by the Italian High Renaissance master Raphael, c. 1517. It is housed in the Uffizi Gallery of Florence.

Saint Anthony Abbot is an oil on panel painting by Pontormo, now in the Uffizi in Florence.

Saint John the Baptist as a Boy is a c.1518-1519 oil on canvas painting by the studio of Raphael, now in the Uffizi in Florence.

Salvator mundi is a 1519 oil on panel painting by Andrea Previtali, now in the National Gallery, London, to which it was left in 1910. The work was produced in Bergamo.

The Small Holy Family is an oil-on-panel painting by Raphael and assistants, now in the Louvre in Paris. Its name distinguishes it from his Great Holy Family, also in the Louvre. It is signed and dated "RAPHAEL VRBINAS S[anti] PINGEBAT MDXVIII" on the hem of the Madonna's garment.

The Stuppach Madonna is a 1514–1519 painting of the Madonna and Child by the German Renaissance painter Matthias Grünewald. It is located today in the Parish Church of the Coronation of the Virgin in Stuppach. Along with the Isenheim Altarpiece, it is considered one of Grünewald's main works.

Tanaquil is a painting by Domenico di Pace Beccafumi which depicts Tanaquil, a queen of Rome. The work was painted by Beccafumi between 1519 and 1525 for the bedroom of Francesco Petrucci, Lord of Siena, part of a series which also included Marcia. In the work the queen is depicted together with only broken architecture and dead plants, she is seen pointing to a tablet which identifies her as Tanaquil.

Virgin and Child with Saint Anne is a tempera and oil painting by Albrecht Dürer. It is signed and dated 1519 in the centre of the right border, though this may have been added later. Originally painted on panel, it was later transferred onto canvas and is now in the Metropolitan Museum of Art in New York.

The Worship of Venus is an oil on canvas painting by the Italian artist Titian completed between 1518 and 1519, housed at the Museo del Prado in Madrid, Spain. It describes a Roman rite of worship conducted in honour of the goddess Venus each 1 April. On this occasion, women would make offerings to representations of the goddess so as to cleanse "every blemish on their bodies".