Cabeça DinossauroW
Cabeça Dinossauro

Cabeça Dinossauro is the third studio album by Brazilian rock band Titãs, released in June 1986. It was their first album produced by Liminha, who was the director of WEA at the time of the album's recording, which facilitated the relationship between band and label; and their first gold album, certified as such in December 1986.

As Dez MaisW
As Dez Mais

As Dez Mais is the tenth studio album by Brazilian rock band Titãs, and their first cover album. It was released in 1999, selling more than 400,000 copies. It was their last album with guitarist Marcelo Fromer, who died in 2001 just a few days before the first days of recordings of As Dez Mais' studio successor, A Melhor Banda de Todos os Tempos da Última Semana.

Domingo (Titãs album)W
Domingo (Titãs album)

Domingo (Sunday) is the eighth studio album released by Brazilian rock band Titãs. The album became a gold record in Brazil. It is the second Titãs album produced by Jack Endino.

Doze Flores AmarelasW
Doze Flores Amarelas

Doze Flores Amarelas is the fifteenth studio album by Brazilian rock band Titãs, released in parts from 27 April to 11 May 2018. It is the band's first album via Universal Music, the first without vocalist, guitarist and founding member Paulo Miklos and the first with his session replacement Beto Lee, son of Brazilian rock singer Rita Lee, who guest performs on the album with narrations.

Jesus não Tem Dentes no País dos BanguelasW
Jesus não Tem Dentes no País dos Banguelas

Jesus não Tem Dentes no País dos Banguelas is the fourth studio album by Brazilian rock band Titãs, released on November 23, 1987. Like its predecessor Cabeça Dinossauro, it was produced by Liminha and featured electronic music experimentations and funk rock influences, besides tackling social issues in its lyrics. Its recording took place at Nas Nuvens studio in Rio de Janeiro and lasted for little more than two months.

A Melhor Banda de Todos os Tempos da Última SemanaW
A Melhor Banda de Todos os Tempos da Última Semana

A Melhor Banda de Todos os Tempos da Última Semana is the eleventh studio album released by Brazilian rock band Titãs. It is the first album composed entirely of new material since 1995's Domingo; the first released via Abril Music following the end of the partnership they had with WEA since the band's debut; the first without founding member and guitarist Marcelo Fromer, who died just before the recording sessions ; the last featuring founding member, vocalist and bassist Nando Reis, who would leave the band after the album's release to focus on his solo career, and the last produced by Jack Endino.

Nheengatu (album)W
Nheengatu (album)

Nheengatu is the fourteenth studio album by Brazilian rock band Titãs, released on May 12, 2014. It is their first studio album with session drummer Mario Fabre, who replaced Charles Gavin, their last with vocalist and guitarist Paulo Miklos, who left the then quartet in 2016, and also their first release through Som Livre and producer Rafael Ramos. The album was dedicated to Rachel Salém, Miklos' wife who died on July 23, 2013 of lung cancer.

Õ Blésq BlomW
Õ Blésq Blom

Õ Blésq Blom is the fifth studio album released by Brazilian rock band Titãs. The name of the album means "The first men who walked on the Earth" in the language created by Mauro and Quitéria, two repentistas from the state of Pernambuco. The language is a mixture of Portuguese, English, Italian and Greek. Mauro and Quitéria are married and they met Titãs in a beach in Pernambuco. They also composed and performed the opening and ending tracks for this album.

Sacos PlásticosW
Sacos Plásticos

Sacos Plásticos (Plastic Bags) is the thirteenth studio album released by Brazilian rock band Titãs. It is their first studio album since 2003, their longest non-album gap, and also the first released through Arsenal Music and with producer Rick Bonadio, who had already worked with Fresno, Charlie Brown Jr. and NX Zero. The album has significant influence from electronic elements.

TelevisãoW
Televisão

Televisão (Television) is the second studio album by Brazilian rock band Titãs, released in 1985 via WEA. It is the first album to feature drummer Charles Gavin, following André Jung's departure in the previous year.

TitanomaquiaW
Titanomaquia

Titanomaquia (Titanomachia) is the seventh album released by Brazilian rock band Titãs, released in 10 July 1993. All songs are credited to the band as a whole, as it happened in the previous album, Tudo Ao Mesmo Tempo Agora. Also, it marks the first time Jack Endino worked with them, the only foreign one they ever worked with.

Titãs (album)W
Titãs (album)

Titãs is the debut album of Brazilian rock band Titãs. It is the only album to feature André Jung on drums. The album also features Pena Schmidt's production and some contributions from vocalist Ciro Pessoa, who founded the band only to quit before the album was released. Though the album sold poorly, it generated some hit singles and secured some performances at popular TV shows such as the ones presented by Chacrinha and Hebe Camargo. By August 1997, its total sales were at 109,000.

Titãs Trio AcústicoW
Titãs Trio Acústico

Titãs Trio Acústico is a series of three EPs by Brazilian rock band Titãs, released throughout 2020. It marks the band's first release since their return to Sony BMG. The EPs feature acoustic versions of a total of 24 songs previously released by them.

Tudo ao Mesmo Tempo AgoraW
Tudo ao Mesmo Tempo Agora

Tudo Ao Mesmo Tempo Agora is the sixth album by Brazilian rock band Titãs, and the last one to feature vocalist Arnaldo Antunes. It marks another shift in the band's style, who returned to a more rock-oriented sound with aggressive, sometimes even scatological lyrics, such as in "Isso Para Mim É Perfume".

Volume DoisW
Volume Dois

Volume Dois is the ninth studio album released by the Brazilian rock band Titãs. Following the success of the previous album, Acústico MTV, Volume Dois features unplugged arrangements of previously recorded Titãs' songs, along with some new ones. Once again, an orchestra was called to record the album. It is one of their most successful albums, having sold more than 1 million copies as of 2015.