
Pompeo Girolamo Batoni was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures. The high number of foreign visitors travelling throughout Italy and reaching Rome during their "Grand Tour" made the artist specialize in portraits. Batoni won international fame largely thanks to his customers, mostly British of noble origin, whom he portrayed, often with famous Italian landscapes in the background. Such Grand Tour portraits by Batoni were in British private collections, thus ensuring the genre's popularity in Great Britain. One generation later, Sir Joshua Reynolds would take up this tradition and become the leading English portrait painter. Although Batoni was considered the best Italian painter of his time, contemporary chronicles mention his rivalry with Anton Raphael Mengs.
Borghese di Piero Borghese, also Borghese di Piero, was an Italian painter of the Florentine School, active in an early Renaissance-style. He should not be confused with Piero della Francesca whose real name was Pietro Borghese.

Michele Ciampanti was an Italian painter active mainly in Lucca. This painter has been identified as matching Berenson's putative Master of Stratonice, and is also called Michele di Michele Ciampanti.
Giovanni Coli (1636–1691) was an Italian painter from Lucca, active in the Baroque style.

Antonio Franchi (1638–1709) was an Italian painter of the 17th century, active mainly in Florence and Lucca.
Filippo Gherardi (1643–1704) was an Italian painter of the Baroque period.

Cavaliere Paolo Guidotti, also known as il Cavalier Borghese was an Italian painter, sculptor and architect, active in Rome, Lucca, Pisa, Reggio Emilia, Napoli.

Giorgio Lucchesi was an Italian painter. While initially he painted mainly painting figures and landscapes; after the 1880s he began to paint still-lives, but later of game, and then of rural agricultural scenes.
Giovanni Marracci (1637–1704) was an Italian Baroque painter who after training with Pietro da Cortona in Rome, worked in his home region of Lucca where he painted many altarpieces.
Bernardino or Giovanni Bernardino Nocchi was an Italian painter, mainly of sacred and historic subjects.

Pietro Paolini, called il Lucchese was an Italian painter of the Baroque period. Working in Rome, Venice and finally his native Lucca, he was a follower of Caravaggio to whose work he responded in a very personal manner. He founded an Academy in his hometown, which formed the next generation of painters of Lucca.
Pietro Ricchi was an Italian painter of the Baroque period, born in Lucca.

Girolamo Scaglia was an Italian painter of the Baroque period. He was born in Lucca, and trained there with Pietro Paolini.

Simone del Tintore (1630–1708) was an Italian painter, active in his native Lucca. He is mainly known as a still-life painter but he may also have painted religious subjects.

Stefano Tofanelli was an Italian painter during the Neoclassic period.