
The Asolo Altarpiece is a 1506 oil on panel altarpiece by Lorenzo Lotto. For a long time it was displayed in the Santa Caterina Oratory in Asolo but it is thought to have originally been painted for the Battuti confraternity's side-chapel in Asolo Duomo, where it now hangs. It is signed "Laurent[ius] Lotus / Junio[r] M.D.VI" on a cartouche in the lower centre. It dates to the end of his time in Treviso.

The Assumption Altarpiece was a 1529-1530 multi-panel painting by Moretto da Brescia. It is mainly oil on panel, although the two angels on the cornice are in tempera grassa verniciata.

Saints Christopher, Jerome and Louis of Toulouse is a painting by the Italian Renaissance artist Giovanni Bellini, executed in 1513, and housed in the church of San Giovanni Crisostomo, Venice.

Decemviri Altarpiece is a painting by the Italian Renaissance artist Pietro Perugino, executed in 1495-1496, and housed in the Pinacoteca Vaticana in Vatican City.

The Fano Altarpiece is a painting by the Italian Renaissance artist Pietro Perugino, executed in 1497, and housed in the church of Santa Maria Nuova, Fano, central Italy. It also includes a lunette with a Pietà and several predella panels.

Madonna and Child with Saint Jerome and Saint Louis of Toulouse is a c.1455 tempera on panel painting by Andrea Mantegna. The work was acquired by Nélie Jacquemart, who left it to the Institut de France with the rest of her collection on her death in 1912 - it now hangs in the musée Jacquemart-André in Paris.

Saint Louis of Toulouse is a fresco fragment of 1460 by Piero della Francesca, removed from its original wall in the former Palazzo Pretorio in Sansepolcro, Tuscany, in the mid-19th century, and now in the Museo Civico in the same town. The detachment destroyed a Latin inscription recording Ludovico Acciaioli as the commissioner and 1460 as the work's date, on the occasion of the town's revival of the role of gonfaloniere of justice.

The Polyptych of Miglionico is a large, multicompartment Renaissance-style altarpiece painted in 1499 by Cima da Conegliano and now housed in the church of Santa Maria Maggiore in the town of Miglionico, province of Matera, Basilicata, Italy.

The Pralboino Altarpiece is a 1540-1545 oil on canvas painting by Moretto da Brescia in the church of Sant'Andrea in Pralboino, Province of Brescia, Italy. The work's upper register shows the Madonna and Child with Francis of Assisi and Saint Joseph, whilst below are saints Jerome, Louis of Toulouse, Anthony of Padua, Clare of Assisi and the painting's commissioner, cardinal Uberto Gambara, member of a local family. It was originally in the same town's Franciscan church of Santa Maria degli Angeli.

Saint Louis of Toulouse Crowning His Brother Robert of Anjou is a painting by Simone Martini, commissioned from him by Robert of Anjou during the artist's stay in Naples around 1317. It shows Robert being crowned by his elder brother Louis of Toulouse, who was made a saint in 1317. It is now in the National Museum of Capodimonte in Naples.

The San Giobbe Altarpiece is a c. 1487 oil painting by the Italian Renaissance master Giovanni Bellini. Inspired by a plague outbreak in 1485, this sacra conversazione painting is unique in that this piece was designed in situ with the surrounding architecture of the church, and was one of the largest sacra conversazione paintings at the time. Although it was originally located in the Church of San Giobbe, Venice, it is now housed in the Gallerie dell'Accademia in Venice after having been stolen by Napoleon Bonaparte.

The Triptych of the Madonna is a 1464–1470 tempera on panel altarpiece by Giovanni Bellini and others. Its central panel of a standing Madonna and Child measures 127 by 48 cm, its lunette of the Man of Sorrows flanked by angels 59 by 170 cm and its side panels of Jerome and Louis of Toulouse 103 by 45 cm. It is now in the Gallerie dell'Accademia in Venice.

Virgin in Glory with Saints is a 1510-1515 oil on panel painting by Giovanni Bellini and probably also his studio, now in the Gallerie dell'Accademia in Venice. It measures 3.5 m by 2.25 m and shows the Assumption of Mary, which is usually shown witnessed by the apostles - here it is instead seen by saint Mark, John the Evangelist, saint Luke, Francis of Assisi with the stigmata, Louis of Toulouse as a young bishop, Anthony the Great, Augustine of Hippo and John the Baptist.