WConnecting the Dots is an EP recorded by Canadian DJ and producer, Conro. Featuring five songs, it was released through Canadian record label Monstercat on August 9, 2017. It features collaborators such as Beckii Power, David Benjamin and Disero.
WDilapidation Celebration is a collaborative extended play by the Los Angeles-based electronic duo Slander and the Houston-based electronic producer Kayzo. Dilapidation Celebration was released on October 27, 2017, by the independent electronic music label, Monstercat.
WGenesis is the second extended play by American electronic music producer Notaker. Genesis was released on October 24, 2017, by the independent electronic music label, Monstercat.
WThe Headbangers Ball is the fourth extended play by American electronic music duo Slander. Canadian independent electronic label Monstercat released the EP on November 29, 2018. The extended play was released with three singles, a North American tour and later gathered generally positive reviews.
WNerds by Nature is the fifth extended play by electronic duo Pegboard Nerds. Nerds by Nature was released on 13 January 2017, by independent electronic music label Monstercat.
WPath.Finder is the fourth extended play by American electronic music producer Notaker. It was released by Canadian record label Monstercat on April 8, 2019. It contains six songs, including features of Singer-songwriter Karra and Eric Lumiere. The two singles "Into the Light" and "Each Other" were each released on January 31, 2019, and on March 18, 2019, respectively.
WPink Cloud is the fourth extended play by electronic duo Pegboard Nerds. Pink Cloud was released on 21 October 2015, by independent electronic music label Monstercat to help fund breast cancer research.
WThe music of Rocket League, a vehicular soccer video game developed and published by Psyonix, is a compilation of electronic dance music (EDM) produced and curated by Psyonix audio director Mike Ault. It currently features music from 45 different artists, and has spawned a discography of four albums and four extended plays. The original soundtrack was produced by Ault and his band Hollywood Principle. Ault, having experimented with different genres, used personal projects unrelated to Rocket League as a base for the soundtrack. What followed was an EDM soundtrack inspired by early-to-mid 2000s progressive house music that Ault and Psyonix felt "embodied the spirit of the game." When in-game, the music is controlled using the playlist system "Rocket League Radio". Positive feedback from players, in addition to Ault's vision of a "big budget" playlist sound emulating Triple-A sports games such as the EA Sports titles, inspired him and the team to feature independent artists to be included in Rocket League's soundtrack. Ault credits the success of the soundtrack to the appeal of the EDM genre to the game's player base. In 2017, Canadian EDM label Monstercat partnered with Psyonix and began to feature its artists, and their music, in Rocket League, with multiple volumes featuring the music being released by the label.
WThe music of Rocket League, a vehicular soccer video game developed and published by Psyonix, is a compilation of electronic dance music (EDM) produced and curated by Psyonix audio director Mike Ault. It currently features music from 45 different artists, and has spawned a discography of four albums and four extended plays. The original soundtrack was produced by Ault and his band Hollywood Principle. Ault, having experimented with different genres, used personal projects unrelated to Rocket League as a base for the soundtrack. What followed was an EDM soundtrack inspired by early-to-mid 2000s progressive house music that Ault and Psyonix felt "embodied the spirit of the game." When in-game, the music is controlled using the playlist system "Rocket League Radio". Positive feedback from players, in addition to Ault's vision of a "big budget" playlist sound emulating Triple-A sports games such as the EA Sports titles, inspired him and the team to feature independent artists to be included in Rocket League's soundtrack. Ault credits the success of the soundtrack to the appeal of the EDM genre to the game's player base. In 2017, Canadian EDM label Monstercat partnered with Psyonix and began to feature its artists, and their music, in Rocket League, with multiple volumes featuring the music being released by the label.
WThe music of Rocket League, a vehicular soccer video game developed and published by Psyonix, is a compilation of electronic dance music (EDM) produced and curated by Psyonix audio director Mike Ault. It currently features music from 45 different artists, and has spawned a discography of four albums and four extended plays. The original soundtrack was produced by Ault and his band Hollywood Principle. Ault, having experimented with different genres, used personal projects unrelated to Rocket League as a base for the soundtrack. What followed was an EDM soundtrack inspired by early-to-mid 2000s progressive house music that Ault and Psyonix felt "embodied the spirit of the game." When in-game, the music is controlled using the playlist system "Rocket League Radio". Positive feedback from players, in addition to Ault's vision of a "big budget" playlist sound emulating Triple-A sports games such as the EA Sports titles, inspired him and the team to feature independent artists to be included in Rocket League's soundtrack. Ault credits the success of the soundtrack to the appeal of the EDM genre to the game's player base. In 2017, Canadian EDM label Monstercat partnered with Psyonix and began to feature its artists, and their music, in Rocket League, with multiple volumes featuring the music being released by the label.
WThe music of Rocket League, a vehicular soccer video game developed and published by Psyonix, is a compilation of electronic dance music (EDM) produced and curated by Psyonix audio director Mike Ault. It currently features music from 45 different artists, and has spawned a discography of four albums and four extended plays. The original soundtrack was produced by Ault and his band Hollywood Principle. Ault, having experimented with different genres, used personal projects unrelated to Rocket League as a base for the soundtrack. What followed was an EDM soundtrack inspired by early-to-mid 2000s progressive house music that Ault and Psyonix felt "embodied the spirit of the game." When in-game, the music is controlled using the playlist system "Rocket League Radio". Positive feedback from players, in addition to Ault's vision of a "big budget" playlist sound emulating Triple-A sports games such as the EA Sports titles, inspired him and the team to feature independent artists to be included in Rocket League's soundtrack. Ault credits the success of the soundtrack to the appeal of the EDM genre to the game's player base. In 2017, Canadian EDM label Monstercat partnered with Psyonix and began to feature its artists, and their music, in Rocket League, with multiple volumes featuring the music being released by the label.
WVantablack is a collaborative extended play by French electronic band Dirtyphonics and Los Angeles-based electronic rock producer Sullivan King. Vantablack was released on 3 November 2017, by the independent electronic music label, Monstercat. The EP features six songs, all of which were produced by both producers.
WVictory is the fourth extended play by Dutch electronic music record producer San Holo. Canadian independent electronic label Monstercat released the extended play on 25 May 2015. The extended play gathered generally positive reviews and was later accompanied by a remix extended play, released on 17 November 2015.