
The Allegory of Vice is an oil on canvas painting by Correggio dating to around 1531 and measuring 149 by 88 cm. It and Allegory of Virtue were painted as a pair for the studiolo of Isabella d'Este, with Vice probably the second of the two to be completed. This hypothesis is since only one sketch survives for Vice, unlike Virtue, for which several preparatory studies survive, along with a near-complete under-drawing – this suggests Correggio had become more proficient after the difficult gestation of Virtue.

The Allegory of Virtue is an oil on canvas painting by Correggio dating to around 1531 and measuring 149 by 88 cm. It and Allegory of Vice were painted as a pair for the studiolo of Isabella d'Este, with Vice probably the second of the two to be completed. This hypothesis is since only one sketch survives for Vice, unlike Virtue, for which two preparatory studies survive, along with a near-complete oil sketch - this suggests Correggio had become more proficient after the difficult gestation of Virtue.

David Before the Ark of the Covenant is a c.1515 oil on canvas painting of King David by Correggio, rediscovered as a work by that artist by Giovanni Romano in 1996, an attribution accepted soon afterwards by David Ekserdjian. It is now in a private collection in Turin.

Judith and Her Maidservant or Judith and Her Maidservant with the Head of Holofernes is a circa 1510–1514 oil on panel painting by Correggio, now in the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 252.

Mystic Marriage of Saint Catherine or Mystic Marriage of Saint Catherine with Three Saints in a Landscape is a c.1512 oil on panel painting by Correggio, now in the Detroit Institute of Arts. It is usually dated to the artist's youth, before Madonna and Child with St Francis (Dresden) and after Mystic Marriage of Saint Catherine (Washington).

Mystic Marriage of Saint Catherine is a c.1520 oil on panel painting by Correggio, now in the National Museum of Capodimonte in Naples.

Mystic Marriage of Saint Catherine or Mystic Marriage of Saint Catherine with Saints is a c.1510-1511 oil on canvas painting by Correggio, now in the National Gallery of Art in Washington. Its central group is a Metterza, with Catherine of Alexandria kneeling before them and saints Francis of Assisi and Dominic to either side.

The Mystic Marriage of Saint Catherine is a painting by Correggio dating about the mid-1520s currently held and exhibited at the Louvre in Paris, France.

Saint Anthony Abbot is a c.1517-1518 painting of Saint Anthony Abbot by Correggio. It was first attributed to the artist in 1901 by Adolfo Venturi, at which time it was in the Sacristy of the Girolamini in Naples and misattributed to Andrea da Salerno. It moved to the Museo Napoletano in 1907 and is now in the National Museum of Capodimonte.

Saint John Fleeing Christ's Arrest is a c.1522 oil on canvas painting now in the Galleria nazionale di Parma. It is a copy of a lost original by Correggio.

Saint Joseph and a Devotee is a 1529 tempera on canvas painting on two panels by Correggio, an attribution first proven in the modern era by Ferdinando Bologna in 1957. The panels are mentioned in the 1680 inventories of the Palazzo del Giardino in Parma as a work by Correggio. It is also recorded as such in Giacomo Barri's Viaggio pittoresco, published in 1671. Until the end of the 18th century it featured in Farnese inventories as a work by Corregio. It was probably moved to Naples with the rest of the Farnese collection in 1734 and is now in the National Museum of Capodimonte there.
San Giovanni Evangelista is a church in Parma, northern Italy, part of a complex also including a Benedictine convent and grocery.