WThe Best Of N-Trance 1992-2002 is the greatest hits album released by the British electronic music group N-Trance.
WClub Future Nostalgia is a remix album by English singer Dua Lipa and American DJ The Blessed Madonna. A DJ Mix edition of it was released on 28 August 2020, with the standard edition following on 11 September of the same year. The album was crafted by remixes of tracks from Lipa's second studio album, Future Nostalgia (2020), with the remixes being created by an assortment of DJs and producers, including Masters at Work, Larry Heard, Mark Ronson, and Stuart Price. Guest appearances are included from Blackpink, Missy Elliott, Madonna, and Gwen Stefani.
WEnergique is the second studio album by the English electronic music group Bizarre Inc, released on 1992. It features singles such as "Playing with Knives", "Plutonic", "I'm Gonna Get You", "Took My Love" and "Love in Motion".
WHead On is the debut album by English-based electronic duo Super Collider, consisting of producers Christian Vogel and Jamie Lidell. It was released in May 1999 by Loaded Records. The collaboration emerged in 1998 when the two producers began sharing the same studio in Brighton and soon began creating music together. Their initial work together produced the songs "Under My Nose" and "Darn ", the latter of which was a successful single. Nonetheless, the duo felt that those songs were too orthodox and wanted to work in a more innovative style for their debut album. They co-produced the album together, but the production process took a prolonged amount of time due to the large amount of editing work undertaken.
WKerrier District is a 2004 studio album by Luke Vibert, released under the alias Kerrier District. Originally released in 2004 on Rephlex Records, it was re-released in 2016 on Hypercolour.
WObey the Time is the eighth studio album by English band The Durutti Column, released in 1990 by Factory Records. Conceived during the middle of the popularity of acid house in the band's native Manchester, band leader Vini Reilly chose to combine acid house, and other electronic dance music styles, with his signature guitar playing on a new album. He created the album in his home studio with engineer Paul Miller. Drummer Bruce Mitchell only plays on one song, with his slot being filled by drum machines on the remaining tracks. As such, critics have described Obey the Time as a Vini Reilly solo album.
WReggae Owes Me Money is the debut album by British duo The Ragga Twins, produced by hardcore duo Shut Up and Dance and released on the latter's record label of the same name. After establishing themselves as separate dancehall artists from the Unity soundsystem in the 1980s, the Ragga Twins switched direction in the early 1990s, combining into a duo after signing to Shut Up & Dance's label. The production duo stirred the Ragga Twins' change in direction, fusion their previous reggae and dancehall style into the Shut Up & Dance hardcore dance style.
WShakedown is the debut album by English house production duo Freemasons. It was released on 21 January 2007, with the single "Rain Down Love" being released two weeks earlier in anticipation of the album. "Nothing But a Heartache", a cover of the original single by the Flirtations, was released as a digital download single on iTunes on 18 June 2007.
WShakedown 2 is a compilation album by the Freemasons. It was released on 29 June 2009. The single "Heartbreak " was released a week before, on 22 June 2009.
WTemperamental is the tenth and final to date studio album by British musical duo Everything but the Girl. It was released on 27 September 1999 by Atlantic Records in the United States and Virgin Records in Europe.
WUnmixed is the second album by house production duo Freemasons. It was released on 29 October 2007, with the lead single "Uninvited" being released one week earlier.
WWhat's Your Pleasure? is the fourth studio album by English singer-songwriter Jessie Ware. Featuring twelve tracks that focus mostly in various electronic and dance music genres, such as disco, hi-NRG, and house, Ware described the album as a "two-year labour of love" upon her release announcement in February 2020, further citing the album as her visions of "escapism [and] groove", wanting to move away from her usual "melancholy" sound in her previous releases.